Four Years by W.B.Yeats, Fiction, Fantasy, Literary, Fairy Tales, Folk Tales, Legends & Mythology - Yeats, W. B.
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Présentation Four Years By W.B.Yeats, Fiction, Fantasy, Literary, Fairy Tales, Folk Tales, Legends & Mythology Format Broché
- Livre Littérature Générale
Résumé :
I could not understand where the charm had gone that I had felt, when as a school-boy of twelve or thirteen, I had played among the unfinished houses, once leaving the marks of my two hands, blacked by a fall among some paint, upon a white balustrade. Sometimes I thought it was because these were real houses, while my play had been among toy-houses some day to be inhabited by imaginary people full of the happiness that one can see in picture books. I was in all things Pre-Raphaelite. When I was fifteen or sixteen, my father had told me about Rossetti and Blake and given me their poetry to read...
Biographie:
William Butler Yeats (1865-1939) was an influential Irish poet, playwright, and essayist, regarded as one of the foremost figures in modern literature. Born in Dublin, Yeats was deeply immersed in Irish cultural and political life, which significantly shaped his literary output. His work is renowned for its rich symbolism, exploration of Irish mythology, and spiritual themes. Yeats's early poetry was influenced by the Romantic tradition, but his later work evolved to incorporate elements of mysticism, folklore, and the occult, reflecting his deep interest in esoteric subjects and Celtic tradition. His collection The Secret Rose exemplifies this shift, showcasing his engagement with Irish legends and symbolic imagery. A major figure in the Irish literary renaissance, Yeats was also a co-founder of the Abbey Theatre, which played a crucial role in the revival of Irish drama. His contributions to literature were recognized with the Nobel Prize in Literature in 1923. Yeats's work remains pivotal in understanding both modernist poetry and Irish cultural history, leaving a lasting legacy through his innovative use of language and themes....
Sommaire:
& once in Liverpool on my way to Sligo, I had seen 'Dante's Dream' in the gallery there -- a picture painted when Rossetti had lost his dramatic power, and today not very pleasing to me -- and its color, its people, its romantic architecture had blotted all other pictures away. It was a perpetual bewilderment that my father, who had begun life as a Pre-Raphaelite painter, now painted portraits of the first comer, children selling newspapers, or a consumptive girl with a basket offish upon her head, and that when, moved perhaps by memory of his youth, he chose some theme from poetic tradition, he would soon weary and leave it unfinished. I had seen the change coming bit by bit. . . ....
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