Practices of Looking - Lisa Cartwright

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Résumé :

• Acknowledgements


• Introduction




• Chapter 1. Images, Power, and Politics


• Representation


• Vision and Visuality


• The Myth of Photographic Truth


• Myth, Connotation, and the Meaning of Images


• Semiotics and Signs


• Images and Ideology


• Image Icons


• Chapter 2. Viewers Make Meaning


• Producers' Intended Meanings


• Aesthetics and Taste


• Value, Collecting, and Institutional Critique


• Reading Images as Ideological Subjects


• Viewing Strategies


• Appropriation and Re-Appropriation


• Chapter 3. Modernity: Spectatorship, the Gaze, and Power


• Modernity and the Modern City


• Modernism


• The Concept of the Modern Subject


• Spectatorship and the Gaze


• Power and the Surveillance Gaze


• The Other


• Gender and the Gaze


• Gaming and the Gaze


• Chapter 4. Realism and Perspective:


• From Renaissance Painting to Digital Media


• Types of Realism


• Perspective


• Perspective and the Body


• The Camera Obscura


• Challenges to Perspective


• Perspective in Digital Media


• Chapter 5. Visual Technologies:


• Image Reproduction, Generation, and the Copy


• Visualization and Technology


• Visual Technologies


• The Reproduced Image and the Copy


• Walter Benjamin and Mechanical Reproduction


• The Politics of Reproducibility


• Ownership and Copyright


• Reproduction and the Digital Image


• 3D Reproduction and Simulation


• Chapter 6. Media Culture


• Media, Singular and Plural


• Propaganda and the Media Environment


• Popular Culture Studies


• Media Geographies


• Media Infrastructures


• Media as Nation and Public Sphere


• Citizen Journalism


• Global Media Events


• Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption


• Consumer Societies and the Spaces of


• Modern Consumerism


• Brands as Image, Symbol, and Icon


• Brand Ideologies and Commodity Fetishism


• The Knowing Consumer


• Selling Social Awareness


• Chapter 8. The Postmodernism Condition and Twenty-First Futurisms


• The Postmodern Condition


• Poststructuralism in the Wake of the Holocaust


• Atomic Media


• Postmodern Architecture in Social Context


• Kitsch and the Vernacular


• Futurisms and Simulation


• Reflexivity And Distanced Knowing


• Appropriation and Postmodern Subjectivity


• Remix, Parody, and Pastiche


• Chapter 9. Visual Cultures of Data and Science


• Numbers and Structures of Feeling


• Modern Western Science and the Data Body


• Evidence, Classification, and Normative Science


• Bodily Interiors and Biomedical Personhood


• Biopower and the Quantified Self


• The Genetic and Digital Body


• Data in the Global Pandemic


• The Infodemic: Data in the Service of Propaganda


• The Sensory Body, the Cyborg, and Disability


• Chapter 10. The World Image and Globalization


• Being in the World

Biographie:
Marita Sturken, New York University Lisa Cartwright, University of California at San Diego...

Sommaire:


• Acknowledgements
• Introduction
• Chapter 1. Images, Power, and Politics
• Representation
• Vision and Visuality
• The Myth of Photographic Truth
• Myth, Connotation, and the Meaning of Images
• Semiotics and Signs
• Images and Ideology
• Image Icons
• Chapter 2. Viewers Make Meaning
• Producers' Intended Meanings
• Aesthetics and Taste
• Value, Collecting, and Institutional Critique
• Reading Images as Ideological Subjects
• Viewing Strategies
• Appropriation and Re-Appropriation
• Chapter 3. Modernity: Spectatorship, the Gaze, and Power
• Modernity and the Modern City
• Modernism
• The Concept of the Modern Subject
• Spectatorship and the Gaze
• Power and the Surveillance Gaze
• The Other
• Gender and the Gaze
• Gaming and the Gaze
• Chapter 4. Realism and Perspective:
• From Renaissance Painting to Digital Media
• Types of Realism
• Perspective
• Perspective and the Body
• The Camera Obscura
• Challenges to Perspective
• Perspective in Digital Media
• Chapter 5. Visual Technologies:
• Image Reproduction, Generation, and the Copy
• Visualization and Technology
• Visual Technologies
• The Reproduced Image and the Copy
• Walter Benjamin and Mechanical Reproduction
• The Politics of Reproducibility
• Ownership and Copyright
• Reproduction and the Digital Image
• 3D Reproduction and Simulation
• Chapter 6. Media Culture
• Media, Singular and Plural
• Propaganda and the Media Environment
• Popular Culture Studies
• Media Geographies
• Media Infrastructures
• Media as Nation and Public Sphere
• Citizen Journalism
• Global Media Events
• Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption
• Consumer Societies and the Spaces of
• Modern Consumerism
• Brands as Image, Symbol, and Icon
• Brand Ideologies and Commodity Fetishism
• The Knowing Consumer
• Selling Social Awareness
• Chapter 8. The Postmodernism Condition and Twenty-First Futurisms
• The Postmodern Condition
• Poststructuralism in the Wake of the Holocaust
• Atomic Media
• Postmodern Architecture in Social Context
• Kitsch and the Vernacular
• Futurisms and Simulation
• Reflexivity And Distanced Knowing
• Appropriation and Postmodern Subjectivity
• Remix, Parody, and Pastiche
• Chapter 9. Visual Cultures of Data and Science
• Numbers and Structures of Feeling
• Modern Western Science and the Data Body
• Evidence, Classification, and Normative Science
• Bodily Interiors and Biomedical Personhood
• Biopower and the Quantified Self
• The Genetic and Digital Body
• Data in the Global Pandemic
• The Infodemic: Data in the Service of Propaganda
• The Sensory Body, the Cyborg, and Disability
• Chapter 10. The World Image and Globalization
• Being in the World
• The Universal Image: A Star is Born
• The World Image
• Geolocation
• The Digital Twin and the Point Cloud
• The World Ocean
• The Cloud Image
• Concepts of Globalization
• Social Movements and Visual Activism
• The Global Museum
• Refugees and Borders
• ...