Soyez informé(e) par e-mail dès l'arrivée de cet article
Créer une alerte prix- Payez directement sur Rakuten (CB, PayPal, 4xCB...)
- Récupérez le produit directement chez le vendeur
- Rakuten vous rembourse en cas de problème
Gratuit et sans engagement
Félicitations !
Nous sommes heureux de vous compter parmi nos membres du Club Rakuten !
TROUVER UN MAGASIN
Retour
Avis sur Compressed Utterances de Format Relié - Livre Critique littéraire
0 avis sur Compressed Utterances de Format Relié - Livre Critique littéraire
Les avis publiés font l'objet d'un contrôle automatisé de Rakuten.
Présentation Compressed Utterances de Format Relié
- Livre Critique littéraire
Résumé : Contents: Collage's Interrelations: Text, Geography and Materiality - David Ragnar Nelson: City of Paper: The Materiality of Montage in Alfred D?blin's Berlin Alexanderplatz(1929) - Astrid von Asten: 'I Was Haunted by the Idea of Doing Something Absolute': Hans Arp, Pioneer of Non-Objective Collage - Collage and Appropriation - Brett M. Van Hoesen: Colonial Botany and the Collages of Max Ernst - Ana Mar?a G?mez L?pez: Fossils and Clippings as Odds and Ends: Johannes Weigelt's Elusive Photomontages in Nazi Germany - Defining and Re-Defining Collage in a Postwar Context - Adrian Sudhalter: Collage as Symbolic Form: Margaret Miller, Collageand the 'Dislocations of War' - Michael White: Montage Reassembled: Dada in the Postwar Archive - Collage and Corporeality - Oona Lochner: Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage - Lisa Lee: Thomas Hirschhorn and the Incommensurable Gesture.
Biographie:
..
Sommaire: Contents: Collage's Interrelations: Text, Geography and Materiality - David Ragnar Nelson: City of Paper: The Materiality of Montage in Alfred D?blin's Berlin Alexanderplatz (1929) - Astrid von Asten: 'I Was Haunted by the Idea of Doing Something Absolute': Hans Arp, Pioneer of Non-Objective Collage - Collage and Appropriation - Brett M. Van Hoesen: Colonial Botany and the Collages of Max Ernst - Ana Mar?a G?mez L?pez: Fossils and Clippings as Odds and Ends: Johannes Weigelt's Elusive Photomontages in Nazi Germany - Defining and Re-Defining Collage in a Postwar Context - Adrian Sudhalter: Collage as Symbolic Form: Margaret Miller, Collage and the 'Dislocations of War' - Michael White: Montage Reassembled: Dada in the Postwar Archive - Collage and Corporeality - Oona Lochner: Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage - Lisa Lee: Thomas Hirschhorn and the Incommensurable Gesture.