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Présentation Simulating Aichele Format Relié
- Livre Littérature Générale
Résumé :
Simulating Aichele pays tribute to the title of George Aichele's 2011 book, Simulating Jesus. In contemporary biblical scholar-ship, Aichele is a notable leader whose writings explore the prob?lems of meaning and referentiality in the Bible and in bibli?cal texts found in non-biblical contexts. His close readings of canonical texts alongside 'the fantastic' in film, television and literature reveal the relationships between texts and inter-texts. Such juxtapositions expose gaps and liberate strange voices in the Bible and break the stranglehold of canonical ideolo?gies. Aichele shows how the afterlives of biblical texts simul?taneously produce present and past realities by simulat-ing both. These afterlives not only pull ancient texts into the pre?sent but in the process also change the precursor text(s). This Festschrift presents some of the afterlives of Aichele's re-search in Bible, film, culture and theory. Exercises in intertextual?ity and textual liberation include Yvonne Sher-wood's reading of Jacob and Esau alongside a Sierra Leone twin story 'Kanu and the Book'; Richard Walsh's pairing of Je-sus' final lament in Mark with Kafka's 'In the Penal Colony'; Tina Pippin's exploration of the afterlives of Jesus' baptism in Mark; Gary A. Phillips's ethical imagining of Martha as the Levinasian Other; and Scott S. Elliott's interpretation of 1 Corin?thians 9 in light of Roland Barthes' 'Neutral'. Other con?tributors explore Bible and film. Robert Paul Seesengood and Jennifer L. Koosed review recent apocalyptic films; Fred W. Burnett analyses the greatest contemporary slacker, the Dude, from The Big Lebowski; and Erin Runions compares the panoptic desire for complete knowledge found in 1 Corinthi-ans and A Scanner Darkly. Finally, Roland Boer looks at the unex?pected afterlives of Hebrew and Christian scriptures in Lenin's speeches, and Stephen D. Moore offers a retrospective es?say on postmodernism and biblical studies.
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