Zadie Smith -

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Résumé :
Contents: Tracey L. Walters:Introduction - Matthew Paproth: The Flipping Coin: The Modernist and Postmodernist Zadie Smith - Ulka Anjaria: On Beautyand Being Postcolonial: Aesthetics and Form in Zadie Smith - Urszula Terentowicz-Fotyga: The Impossible Self and the Poetics of the Urban Hyperreal in Zadie Smith's The Autograph Man - Maeve Tynan: 'Only Connect': Intertextuality and Identity in Zadie Smith's On Beauty - Raphael Dalleo: Colonization in Reverse: White Teethas Caribbean Novel - Susan Alice Fischer: 'Gimme Shelter': Zadie Smith's On Beauty - Tracey L. Walters: Still Mammies and Hos: Stereotypical Images of Black Women in Zadie Smith's Novels - Sharon Raynor: From the Dispossessed to the Decolonized: From Samuel Selvon's The Lonely Londonersto Zadie Smith's 'Hanwell in Hell' - Lexi Stuckey: Red and Yellow, Black and White: Color-Blindness as Disillusionment in Zadie Smith's 'Hanwell in Hell' - Kris Knauer: The Root Canals of Zadie Smith: London's Intergenerational Adaptation - Z. Esra Mirze: Fundamental Differences in Zadie Smith's White Teeth - Katarzyna Jakubiak: Simulated Optimism: The International Marketing of White Teeth....

Biographie:
The Editor: Tracey L. Walters is Associate Professor of Literature at Stony Brook University. She received her Ph.D. in English from Howard University. She has published a number of essays on Black British literature and culture and has also published essays on Zadie Smith. Her first book, Writing the Classics Black: The Poetic and Political Function of Classical Revision in African American Women's Writing, was published in 2007.

Sommaire:
Contents: Tracey L. Walters: Introduction - Matthew Paproth: The Flipping Coin: The Modernist and Postmodernist Zadie Smith - Ulka Anjaria: On Beauty and Being Postcolonial: Aesthetics and Form in Zadie Smith - Urszula Terentowicz-Fotyga: The Impossible Self and the Poetics of the Urban Hyperreal in Zadie Smith's The Autograph Man - Maeve Tynan: ?Only Connect?: Intertextuality and Identity in Zadie Smith's On Beauty - Raphael Dalleo: Colonization in Reverse: White Teeth as Caribbean Novel - Susan Alice Fischer: ?Gimme Shelter?: Zadie Smith's On Beauty - Tracey L. Walters: Still Mammies and Hos: Stereotypical Images of Black Women in Zadie Smith's Novels - Sharon Raynor: From the Dispossessed to the Decolonized: From Samuel Selvon's The Lonely Londoners to Zadie Smith's ?Hanwell in Hell? - Lexi Stuckey: Red and Yellow, Black and White: Color-Blindness as Disillusionment in Zadie Smith's ?Hanwell in Hell? - Kris Knauer: The Root Canals of Zadie Smith: London's Intergenerational Adaptation - Z. Esra Mirze: Fundamental Differences in Zadie Smith's White Teeth - Katarzyna Jakubiak: Simulated Optimism: The International Marketing of White Teeth.