Golden Milk - Murphy, Sheila E.

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Résumé :
Sheila Murphy writes of The stasis I so love that tunes me to attunement, yet Murphy has always defined the tune, tuned the tune. She has, since I have known her work in the mid-1980s, been the consummate poet, a poet's poet because her chords, her lines, her diction, syntax, and formal perfection serve as a model, and we learn. But here, in GOLDEN MILK, she risks the untuning, the dis- or re-alignment, all the uncertainties of our world, our moment in the world. And she is very much in the world, its colors, its woods and blooming pine, its reality and its shadow artistry. She says we do things within the confines of this monsoon weather (something she well knows in her desert realm), yet she transcends weather, transcends veritas to move into possibility. Her sensuous clasps, kissing, and myriads of strings are well plucked here. Murphy has always been a brilliant poet and a poet of brilliance, in light and song, yet here she goes somewhere else, wings out, she flies, as she cries fluently in your language, leaves work in my psyche constantly undone, yet searches and finds contingent acts of God in the air through which she moves. She closes the book with a request that we Stay here with me and within hearing touch that I may breathe again. Listen to her breathe. You will breathe within the whisper through this glorious and golden book, which of course can not close, rather opens towards the light. -CHARLES ALEXANDER [The following is another review] In many cases and as aided by an in-beat lyricism, the silk of Murphy's poems offers transparency through a lack of punctuation especially ending punctuations like periods. How appropriate given how she carves out new doors for readers' imaginations, e.g. any time you walk vocabulary words down lanes the empty sidelines shepherd riverways where livestock and the sunlight chasten quietude-as in quietude being the opposite of continued engagement with those vocabulary words. When vocabulary becomes an adjective of words, one notices how words don't need to rest in static definitions but can point to new ways to engage-a basic purpose to poetry if expanding vocabulary is a means of acquiring knowledge. These turns to re-exploring language as a haunting are illuminating, steeped as they are by experience and maturity. Murphy is incandescent through a prolonged and effervescent fealty to poesis that melts previously-defined words into something ineffable but sweet. -EILEEN TABIOS

Biographie:
Sheila E. Murphy is an American poet who has been writing and publishing actively since 1978. Her book titled REPORTING LIVE FROM YOU KNOW WHERE won the Hay(na)Ku Poetry Book Prize Competition from Meritage Press (U.S.A.) and xPress(ed) (Finland). Also in 2018, Broken Sleep Books brought out the book AS IF TO TEMPT THE DIATONIC MARVEL FROM THE IVORY. Luna Bisonte Prods released UNDERSCORE in that same year, featuring a collaborative visual book by K.S. Ernst and Sheila E. Murphy. Murphy is the recipient of the Gertrude Stein Award for her book LETTERS TO UNFINISHED J. (Green Integer Press, 2003). Murphy is known for working in forms including such as the ghazal, haibun, and pantoum in her individual writing. As an active collaborator, she has worked with Douglas Barbour on an extended poem called Continuations. Murphy's visual work, both individual and collaborative, is shown in galleries and in private collections. Initially educated in instrumental and vocal music, Murphy is associated with music in poetry. She earns her living as an organizational consultant, professor, speaker, and researcher and holds the PhD degree. She has lived in Phoenix, Arizona throughout her adult life.