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Présentation Harold Pinter Format Broché
- Livre Beaux arts
Résumé : 1. Introduction
Dr Catriona Fallow (University of Birmingham) and Dr Basil Chiasson (University of Leeds)
Part I: (Re)situating Pinter, Critical Orientations
2. First Chapter: 'Pinter's Modernism: Stealing Prose to Make a Drama'
Dr Basil Chiasson (University of Leeds, UK)
3. Second Chapter: 'The Theatre of the Absurd as Professional Network in the Early Career of Harold Pinter'
Dr Harry Derbyshire (University of Greenwich, UK)
4. Third Chapter: 'The Elite Pinter and the Pinter Elite'
Dr James Hudson (University of Lincoln, UK)
5. Fourth Chapter: 'Too Much of a Modern? Pinter's Jewishness'
Professor Eckart Voigts (TU Braunschweig, Germany)
6. Fifth Chapter: 'Harold Pinter, the Peculiar Propagandist: Engaging the Middle East As a Citizen of the World'
Professor Ibrahim Yerebakan (Recep Tayyip Erdogan University, Turkey)
Part II: Pinter as Playwright, Playwrights and Pinter
7. Seventh Chapter: 'An insistence in my mind: Pinter's Writing Ethic'
Steve Waters (University of East Anglia, UK)
8. Eighth Chapter: Pinter and the New Writing Ecology
Dr Catriona Fallow (University of Birmingham, UK)
9. Ninth Chapter: 'Theatre's Dark Matter: Pinter's Staging of Systemic Violence and its Influence in Contemporary British Theatre'
Alex Watson (Royal Holloway, University of London, UK)
10. Tenth Chapter: 'For What We Are About to Receive: Pinter, Butterworth, Kelly'
Dr David Pattie (University of Birmingham, UK)
11. Eleventh Chapter: 'The Crimpesque: Pinter's Legacy in the Theatre of Martin Crimp'
Dr Maria Elena Capitani (University of Parma, Italy)
Part III: Conversations with Collaborators
12. Interviews (approximately 3-5)
13. Bibliography
Biographie:
explore and interrogate his influence on contemporary British playwriting...
Sommaire:
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners.
The life and works of Harold Pinter (1930-2008), a pivotal figure in twentieth- and twenty-first century British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. He is today considered one of the most important British playwrights ever to have lived.
Through combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, it opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost twentieth-century dramatists.
Divided into three parts, the book is compiled of a collection of chapters that re-contextualize Pinter as a cultural figure...
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