ISE The Theatre Experience - Edwin Wilson

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Résumé :
The Theatre Experience, 15e prepares students to be well-informed, well-prepared theatre audience members. With an audience-centered narrative that engages today's students, a vivid photo program that brings concepts to life, and features that teach and encourage a variety of skill sets, students master core concepts and learn to think critically about theatre and the world around them. As a result, students are better prepared for class, and better prepared for theatre going. The textbook is noted for its lively writing style and for helping students recognize how theatre relates to our everyday lives.

Biographie:
Ed Wilson attended Vanderbilt, the University of Edinburgh, and Yale University where he received the first Doctor of Fine Arts degree awarded by Yale. He has taught at Vanderbilt, Yale, Hunter College and the Graduate Center of the City University of New York. Most recently he has been Executive Director of the Segal Theatre Center at the CUNY Graduate Center. He is the author or co-author of three of the most widely used college theater textbooks in the U. S. The tenth edition of his pioneer book, The Theater Experience was published in 2006 by McGraw Hill LLC. The sixth edition of his text Theater: The Lively Art (co-authored with Alvin Goldfarb) will be published by McGraw Hill in theDecember, 2006. The fourth edition of his theater history, Living Theatre: Histories of Theatre, (also co-authored with Alvin Goldfarb) will be published in December, 2006. He is also the editor of Shaw on Shakespeare, recently re-issued by Applause Books.


He has produced plays on and off Broadway and served one season as the resident director of the Barter Theatre in Abingdon, Virginia. He also produced a feature film, The Nashville Sound, recently made available on DVD. He is the author of two original plays, a farce, The Bettinger Prize, and a play about Ponce de Leon, Waterfall. He wrote the book and lyrics for a musical version of Great Expectations. All three have been given a series of successful readings in New York City and elsewhere. Great Expectations was given a full production for three weeks in February and March, 2006, at the Mill Mountain Theatre in Roanoke, Virginia. He conceived the idea of a musical revue of the songs of Jerome Kern which had a well-received try-out production in the fall of 2004 at Catholic University in Washington, D. C.

Ed has served a number of times on the Tony Nominating Committee and the Pulitzer Prize Drama Jury, most recently on the Pulitzer Jury in 2003. For twenty two years he was the theater critic of the Wall Street Journal. A long time member of the New York Drama Critics Circle, he was president of the Circle for several years. He is on the board of the John Golden Fund and was also for many years on the Board of the Theater Development Fund, of which he served as President.

Sommaire:
PART 1 The Audience
Chapter 1 The Audience: Its Role and Imagination
Chapter 2 Background and Expectations of the Audience
Chapter 3 Theatre Spaces

PART 2 The Performers and the Director
Chapter 4 Acting for the Stage
Chapter 5 The Director and the Producer

PART 3 The Designers
Chapter 6 Scenery
Chapter 7 Stage Costumes
Chapter 8 Lighting and Sound

PART 4 The Playwright and the Play
Chapter 9 Creating the World of the Play
Chapter 10 Dramatic Structure and Dramatic Characters
Chapter 11 Theatrical Genres
Chapter 12 Alternative and Experimental Dramatic and Theatrical Forms
Chapter 13 Diverse and Inclusive Plays, Playwrights, and Theatrical Forms

Plays That May Be Read Online
Glossary
Notes
Index