The Faces Of Carnival In Anita Desai's In Custody - Dvorak Marta

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Résumé :
This book offers a culturally-specific reading of Anita Desai's In Custody informed by indigenous practices and beliefs, which enables global audiences to access contemporary Indian writing in English. It shows that certain constants in multiple belief-systems also allow points of entry, particularly in light of the internationalization of literatures in the post-colonial period. The author argues that Desai's novel configures the writer's view of and engagement with global society. It exemplifies transnational writings rooted in different canons which have always migrated, mixed, and mutated. Marta Dvorâk investigates the intertextual dialogue programmed into Desai's novel, which is part of the intercultural practices grounded in both relativism and universalism (Houri Bhabha). She shows how literature encodes ideologies, and how the ideologies are presented through the cultural filter of the author's discourse conditioning readerly responses. Her study engages with the hybridized narrative traditions of Englishlanguage Indian writing, showing how narratives circulate from one culture to another, displacing the migrant symbols and myths through which our global society manufactures meaning.

Biographie:
Marta Dvorâk is professor ofpostcolonial literatures at the Sorbonne Nouvelle (Paris 3). She has published books on Nancy Huston, Carol Shields, and Ernest Buckler, and her most recent book, Tropes and Territories: Short Fiction, Post-colonial Readings, Canadian Writings in Context (co-ed. WH. New, McGill-Queen's UP 2007), engages with writing and reading practices across cultural divides as well as the interconnections between socio-political issues and strategies of style.