Poetry and Freedom - Oppenheimer, Paul
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Présentation Poetry And Freedom Format Broché
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Résumé :
This book offers a ground-breaking exploration of the aesthetics of poetic freedom. The range is broad, from antiquity to the present and from Europe and the Middle East into the poetry of the English-speaking world. Silent reading is shown as developing for the first time since the fall of the Roman Empire into a fashionable way of reading, starting with the invention of the sonnet in the High Middle Ages. The social use of the word we, as when a society generalizes about itself, first appears in poetry in T.S. Eliot's The Love Song of J. Alfred Prufrock. In Goethe's Roman Elegies anachronism becomes a literary device--also, it seems, for the first time--introducing a novel timelessness essential to modern affirmations of infinity. Revealing questions about the elusiveness of poetic freedom--what does the term actually mean?--are repeatedly tested against the accomplishments of major poets such as Whitman, Dickinson, Rilke, Dante and Virgil, and their public yet intensely private originality. The result is a fresh, and well-nigh revolutionary, way of seeing literary and modern history, or an initiation into the more striking gift of aesthetic freedom.
Biographie: Paul Oppenheimer is a professor of comparative literature and english at The City College and The Graduate Center of the City University of New York.
Sommaire: Preface: Among the Nightmare Lovers of Hades; 1 Eliot as Revolutionary; 2 Goethe and Modernism: The Dream of Anachronism in Goethe's Roman Elegies; 3 Ezra Pound: The Solitary Volcano; 4 Does Time Exist?; 5 The Age of Authenticity: An American Poet in England; 6 Whitman and Wilde in Camden; 7 Dangerous Thoughts, Puzzling Responses; 8 Scaling the Wall; 9 Mass Death and Resurrection: Notes on Contemporary, Mostly American, Jewish Fiction; 10 Rilke, Einstein, Freud and the Orpheus Mystery; 11 Shrouds Aplenty (on poems of Janowitz, et al); 12 Ambushes of Amazement (on poems of Wakoski); 13 Dangerous and Steep (on poems of Jacobsen); 14 Small Touching Skill (on poems of Ponsot); 15 Language Mesh (on Paul Celan); 16 Sweet Extra (on poems of Cuddihy, Ray); 17 Maze of the Original (on translating poetry); 18 Approaching the Medieval Lyric; 19 Dark Passage (on poems of Stafford); 20 Mistress of Sorrows (on Ingeborg Bachmann); 21 The Innocence of a Mirror (on poems of Oliver); 22 Peskily Written (on Sade); 23 Is There Sex after Sappho?; 24 Saving One's Skin (on medieval poetry); 25 Brilliant White Shadow (on poems and prose of Saba); 26 Serpent's Tale (on Minoan archeology); 27 How Honest Was Cellini?; 28 The Poetry of No Compromises (on poems of Rehder); 29 Assigning Names (on poems of Nurkse); 30 History and Ethics: Bruni's History of Florence; 31 Virgil's Aeneid Made New (a translation by Robert Fagles); 32 Painting with Poetry (on the poems of Annie Boutelle); 33 Vampires and Freedom (on the work of Erik Butler); 34 How the West Learned to Read and Write: Silent Reading and the Invention of the Sonnet; List of Publications; Index.
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