The Film Experience - Patricia White

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Résumé :
Now with Macmillans highly touted Achieve to deliver superior content online, The Film Experience offers a comprehensive introduction to the art, language, industry, culture, and experience of the movies -with new digital tools to bring that experience to life and help students master course material. The text highlights how formal elements like cinematography, editing, and sound can be analyzed and interpreted within the context of a film as a whole. With superior tools for reading and writing about film, as well as unparalleled coverage of diversity, inclusion, and non-mainstream filmmaking traditions, The Film Experience is the most robust introductory text on the market. The most robust introduction to film on the market, the Sixth Edition emphasizes film technology through expanded coverage of animation and a new Technology in Action feature, which puts the evolving technology of film in historical context. The Film Experience is also now available with Achieve, Macmillan's customizable online course space, which includes the full e-book, LearningCurve adaptive quizzing, a rich array of video activities aligned with the text, and more.
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Biographie:
Timothy Corrigan...

Sommaire:
Part One: Cultural Contexts: Watching, Studying, and Making Movies

Chapter 1: Encountering Film: From Preproduction to Exhibition ????? Production: How Films Are Made ????? Preproduction ????? Production ????? Postproduction Distribution: What We Can See ????? Distributors ????? Ancillary Markets ????? Distribution Timing Marketing and Promotion: What We Want to See ????? Generating Interest Film in Focus: Distributing Killer of Sheep (1977) ????? Advertising Technology in Action: The Changing Technologies of Film Promotion ????? Word of Mouth and Fan Engagement Movie Exhibition: The Where, When, and How of Movie Experiences ????? The Changing Contexts and Practices of Film Exhibition ????? Technologies and Cultures of Exhibition ????? The Timing of Exhibition Film in Focus: Exhibiting Citizen Kane (1941) Chapter 1 Review

Chapter 2: History and Historiography: Hollywood and Beyond Silent Cinema ????? Silent Features in Hollywood ????? German Expressionist Cinema ????? Soviet Silent Films ????? French Cinema History Close Up: Oscar Micheaux Classical Cinema in Hollywood and Beyond ????? European Cinema in the 1930s and 1940s ????? Golden Age Mexican Cinema Postwar Cinemas (1945-1975) ????? Postwar Hollywood ????? International Art Cinema Film in Focus: Mother India and Postwar History (1957) Cinematic Globalization (1975-2000) ????? New Hollywood in the Blockbuster Era ????? The Commercial Auteur ????? American Independent Cinema ????? From National to Transnational Cinema in Europe ????? African Cinema ????? Chinese Cinema Iranian Cinema Cinema in the Digital Era (2000-present) ????? Global Hollywood ????? Diversifying Screens ????? Culture in the Twenty-First Century Technology in Action: Film Preservation and Archives Film in Focus: Rediscovering Within Our Gates (1920) Chapter 2 Review


Part Two: Formal Compositions: Film Scenes, Shots, Cuts, and Sounds
Chapter 3: Mise-en-Sc?ne: Exploring a Material World A Short History of Mise-en-Sc?ne ????? Theatrical Mise-en-Sc?ne and the Prehistory of Cinema ????? 1900-1912: Early Cinemas Theatrical Influences ????? 1915-1928: Silent Cinema and the Star System ????? 1930s-1960s: Studio-Era Production ????? 1940-1970: New Cinematic Realism ????? 1975-Present: Mise-en-Sc?ne and the Blockbuster The Elements of Mise-en-Sc?ne ????? Settings and Sets ????? Scenic Realism and Atmosphere ????? Props, Costumes, and Lights ????? Performance: Actors and Stars Film in Focus: Mise-en-Sc?ne in Do the Right Thing (1989) Technology in Action: Scenic Lighting Thinking about Mise-en-Sc?ne ????? Mise-en-Sc?ne as an External Condition or a Measure of Character ????? Primary Traditions for Mise-en-Sc?ne Film in Focus: Naturalistic Mise-en-Sc?ne in Bicycle Thieves (1948) Chapter 3 Review

Chapter 4: Cinematography: Framing What We See A Short History of the Cinematic Image ????? 1820s-1880s: The Invention of Photography and the Prehistory of Cinema ????? 1890s-1920s: The Emergence and Refinement of Cinematography ????? 1930s-1940s: Developments in Color, Wide-Angle, and Small-Gauge Cinematography ????? 1950s-1960s: Widescreen, 3-D, and New Color Processes ????? 1970s-1980s: Cinematography and Exhibition in the Age of the Blockbuster ????? 1990s to the Present: The Digital Era The Elements of Cinematography ????? Point of View ????? Four Attributes of the Shot Technology in Action: Color in Film ????? From Special Effects to Visual Effects Thinking about Cinematography ????? The Image as Presentation and Representation ????? Traditions of Images Fil...