The Turnout - Megan Abbott
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Présentation The Turnout de Megan Abbott Format Broché
- Livre Littérature Générale
Résumé : 'A book you will not be able to forget' MARK BILLINGHAM
Dara and Marie were trained as ballet dancers by their glamorous mother, founder of the Durant School of Dance. Since their parents' death in a tragic accident nearly a dozen years ago, the sisters have run the school together, along with Charlie, Dara's husband and once their mother's prized student. The three have perfected a dance that keeps the studio thriving.
But when a suspicious accident occurs, just at the onset of the school's annual performance of The Nutcracker - a season of competition, anxiety, and exhilaration - an interloper arrives and threatens their delicate balance.
'Slow-burning and feverish, with all the intensity of a classic American film noir' MAIL ON SUNDAY
'There's no one who captures the atmosphere of a tight-knit hothouse world, in all its feverish beauty and brutality, quite like Megan Abbott' TANA FRENCH
'Dark and juicy and tinged with horror' NEW YORK TIMES
'Abbott captures the blood, sweat, tears and rivalries behind the apparently effortless grace ... the feeling of menace grows stronger with every page' GUARDIAN
[Author photo]
Biographie: Megan Abbott is the Edgar-winning author of the novels Die a Little, Bury Me Deep, The End of Everything, Dare Me, You Will Know Me and The Fever. Her most recent book is Give Me Your Hand.
Her work has won or been nominated for the CWA Steel Dagger, the International Thriller Writers Award, the Los Angeles Times Book Prize and five Edgar awards. Formerly a staff writer on HBO's David Simon show, The Deuce, she is now co-creator, executive producer and show-runner of Dare Me, based upon her novel, for the USA Network and, internationally, Netflix.
Her writing has appeared in the New York Times, Salon, the Guardian, Wall Street Journal, the Los Angeles Times Magazine, and The Believer. Her stories have appeared in multiple collections, including the Best American Mystery Stories of 2014 and 2016.
Born in the Detroit area, she graduated from the University of Michigan and received her Ph.D. in English and American literature from New York University. She has taught at NYU, the State University of New York and the New School University. In 2013-14, she served as the John Grisham Writer in Residence at Ole Miss.
She is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction.
Sommaire: 'A twisting, turning story of revenge and redemption' STYLISTIt was the three of them. Always the three of them. Until it wasn't.
Dara and Marie were trained as ballet dancers by their glamorous mother, founder of the Durant School of Dance. After their parents died in a tragic accident nearly a dozen years ago, the sisters took over running the school together with Charlie, Dara's husband and once their mother's prized student.
But when a suspicious accident occurs, just at the onset of the school's annual performance of The Nutcracker - a season of competition, anxiety, and exhilaration - an interloper arrives and threatens their delicate balance.The instant New York Times bestseller
'Impossible to put down, creepy and claustrophobic. It's WHATEVER HAPPENED TO BABY JANE in ballet shoes' STEPHEN KING
'Compulsively readable' RUTH WARE
'A book you will not be able to forget' MARK BILLINGHAM
'My thriller of the year' JAKE KERRIDGE, DAILY TELEGRAPH, BEST BOOKS OF THE YEAR
'The feeling of menace grows stronger with every page' GUARDIAN
'Slow-burning and feverish, with all the intensity of a classic American film noir' MAIL ON SUNDAY
'Charged with foreboding, the novel throbs with gothic tension' IRISH TIMES
'Dark and juicy and tinged with horror' NEW YORK TIMES
'Dark and mesmerising' HARRIET TYCE
'This is Megan Abbott working at the absolute height of her talent' ATTICA LOCKE
'There's no one who captures the atmosphere of a tight-knit hothouse world, in all its feverish beauty and brutality, quite like Megan Abbott' TANA FRENCH
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