Beethoven - Rolland, Romain
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Présentation Beethoven Format Broché
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Résumé :
A piercing portrait of a genius at the hinge of two centuries. This is Beethoven as Rolland saw him: a living question of art, struggle, and ingenuity. Romain Rolland's historical and literary biography traces Beethoven's restless ascent from late nineteenth-century sensibility into the modern era. With graceful clarity, it weaves music biography insights into a broader tapestry of character, conflict, and creative integrity-offering readers a vivid sense of the composer's voice, fears, and triumphs. The book asks how genius survives pressure, doubt, and the passage of time, while placing Beethoven beside contemporaries like Mozart and the broader currents of German Romanticism essays that shaped a cultural moment. A work of enduring significance, this volume stands as a bridge between deep scholarship and accessible storytelling. It invites casual readers and classic-literature collectors alike to linger on each moment of discovery, each flourish of orchestration imagined in Rolland's careful, reverent prose. Its value is instantly apparent: not merely a biography, but a curated experience of art history, history of ideas, and the music that changed the language of Western culture. Selling points: out of print for decades and now republished by Alpha Editions...
Biographie:
Romain Rolland (January 29, 1866 - December 30, 1944) was a French dramatist, novelist, essayist, art historian, and mystic who received the Nobel Prize in Literature in 1915 as a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings. He was a key Stalinist supporter in France, and he is also known for his correspondence with and effect on Sigmund Freud. Rolland was born in Clamecy, Ni?vre, from a family that included both affluent townpeople and farmers. In his introspective Voyage int?rieur (1942), he sees himself as a antique species representative. In Colas Breugnon (1919), he would play these forefathers. Accepted into the ?cole Normale Sup?rieure in 1886, he initially studied philosophy, but his freedom of spirit drove him to forsake it in order to avoid submission to the prevalent ideology. In 1889, he got his bachelor's degree in history and spent two years in Rome, where he met Malwida von Meysenbug, a friend of Nietzsche and Wagner, and discovered Italian masterpieces that shaped his thinking....
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