American Film Musical - Altman, Charles (Rick) F.

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Résumé :

PREFACE
I. An Introduction to the Theory of Genre Analysis
General Discourse on Meaning
The Role of Generic Formations in Meaning Production
The Role of the Critic
Toward Objective Evaluation of Subjective Criticism
Establishing a Corpus
II. The American Film Musical as Dual-Focus Narrative
III. The Structure of the American Film Musical
The film process through a series of paired segments matching the male and female leads
Each separate part of the film recapitulates the film's overall duality
The basic sexual duality overlays a secondary dichotomy
The marriage which resolves the primary (sexual) dichotomy also mediates between the two terms of the secondary (thematic) opposition
IV. The Style of the American Film Musical
Audio Dissolve
Video Dissolve
Personality Dissolve
V. The Problem of Genre History
Problems with Current Terminology
Towards a New Terminology
Defining the Corpus
Reformulating Genre History
The History of the American Film Musical: A New Approach
VI. The Fairy Tale Musical
Prehistory
Sex as Sex
Sex as Battle
Sex as Adventure
VII. The Show Musical
The Sources of Show Musical Semantics
Backstage: The Syntax of Illusion
Taking it Out of the Theater
Saving the Dying Myth: Reflexivity as Reinforcement
VIII. The Folk Musical
Elements of the Folk Musical
Building a Folk Syntax
A Folk Art in the Age of Mass Media
IX. Genre and Culture
The Fundamental Characteristics of Genre Film
Symbolic Spectatorship
Work and Entertainment
The Musical's Operational Role
The Practice of Music in the Age of Electronic Reproduction
Conclusion
BIBLIOGRAPHICAL NOTES
NOTES
YEARLY TABLE OF MUSICALS BY SUBGENRE
INDEX