Snuff -

. .

Résumé :
The phenomenon of so-called 'snuff movies' (films that allegedly document real acts of murder, specifically designed to 'entertain' and sexually arouse the spectator) represents a fascinating socio-cultural paradox. At once unproven, yet accepted by many, as emblematic of the very worst extremes of pornography and horror, moral detractors have argued that the mere idea of snuff constitutes the logical (and terminal) extension of generic forms that are dependent primarily upon the excitement, stimulation and, ultimately, corruption of the senses. Snuff: Real Death and Screen Media brings together scholars from film and media studies to assess the longevity of one of screen media's most enduring cultural myths. Thorough, provocative, and well argued, the contributions to this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography and Web 2.0....

Biographie:

List of Figures

Foreword: A Culture of CHange
David Kerekes (Owner of Headpress and author of Killing For Culture)

Acknowledgements

Introduction: Shot, Cut and Slaughtered
Neil Jackson (University of Lincoln, UK)

Part I - The Changing Meaning of Snuff

Chapter 1: The Way to Digital Death
Julian Petley (Brunel University, UK)

Chapter 2: The Affective Reality of Snuff
Misha Kavka (University of Auckland, New Zealand)

Chapter 3: Animal Snuff
Simon Hobbs (University of Portsmouth, UK)

Chapter 4: Breathing New Life into Old Fears: Extreme Pornogrpahy and the Wider Politics of Snuff
Clarissa Smith (University of Sunderland, UK)

Chapter 5: From Snuff to the South: The Global Reception of Cannibal Holocaust
Nicolo Gallio (University of Bologna, Italy) and Xavier Mendik (University of Brighton, UK)

Chapter 6: A Murder Mystery in Black and Blue: The Marketing, Distribution and Cult Mythology of Snuff in the UK
Mark McKenna (University of Sunderland, UK)

Chapter 7: Traces of Snuff: Black Markets, Fan Subcultures and Underground Horror in the 90s
Johnny Walker (Northumbria University, UK)

Chapter 8: SNuff 2.0: Real Death Goes HD Ready
Mark Astley (Independent Scholar, UK)

Part II - Snuff Across Film and Television

Chapter 9: Unfound Footage and Unfounded Rumours: The Manson Family Murders and the Persistence of Snuff
Mark Jones & Gerry Carlin (University of Wolverhampton, UK)

Chapter 10: Wild Eyes, Dead Ladies: The Snuff Filmmaker in Realist Horror
Neil Jackson (University of Lincoln, UK)

Chapter 11: The Mediation of Death in Fictional Snuff: Reflexivity, Viewer Interpellation and Ethical Implication
Xavier Aldana Reyes (Manchester Metropolitan University, UK)

Chatper 12: Why Would you Film It? Snuff, Sinister and Contemporary US Horror Cinema
Shaun Kimber (Bournemouth University, UK)

Chapter 13: Cinema as Snuff: From Pre-Cinema to Shadow of the Vampire
Linda Badley (Middle Tennessee State University, USA)

Chapter 14: Affect
Tina Kendall (Anglia Ruskin University, UK)

Chapter 15: A View to Kill: Perspectives on Faux-Snuff and Self
Steve Jones (Northumbria University, UK)

Select Bibliography

Contributors