Performing Conversion -

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Résumé :
Brings together diverse scholarship on theatre and conversional practices in early modern Europe and Latin America This book explores how theatrical practices shaped the multiplying forms of conversion that emerged in early modern Europe. Each chapter focuses on a specific city or selection of cities including Venice, London, Mexico City, Madrid and Berne. Collectively, these studies establish a picture of early modernity as an age teeming with both excitement and anxiety over conversional activities. Considering the commercial theatre that produced professional dramatists such as Lope de Vega and Thomas Middleton, the book surveys a wide variety of kinds of performances that brought theatricality into formative relationships with conversional practices. As a whole, the volume addresses issues of conversion as it pertains to early modern theatre, literature, theology, philosophy, economics, urban culture, globalism, colonialism, trade and cross-cultural exchange. Jos? Ram?n Jouve Mart?n is Professor of Hispanic Studies in the Department of Languages, Literatures and Cultures at McGill University. Stephen Wittek is Assistant Professor in the Literary and Cultural Studies division of the Department of English at Carnegie Mellon University.

Biographie:

Jos? R. Jouve Martin is Professor of Hispanic Studies and Chair of the Department of Languages, Literatures, and Cultures at McGill University. He is the author of the books Slaves of the Lettered City (2005) and The Black Doctors of Colonial Lima: Science, Race, and Writing in Colonial and Early Republican Peru (2014). He has co-edited the volumes The Constitution of the Hispanic Baroque (2008), From the Baroque to the Neo-Baroque: Cultural Realities and Cultural Transfers (2011), Contemporary Debates in Ecology, Culture, and Society in Latin America (2011), and Culture Policy and Cultural Markets in Latin America (2013).

Stephen Wittek is Assistant Professor of Literature at Carnegie Mellon University in Pittsburgh, PA. His research focuses on the media of conversion and the early modern English stage. He is the author of The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News (University of Michigan Press, 2015). Other projects of note include a new edition of The Merchant of Venice for Internet Shakespeare Editions (co-edited with Janelle Jenstad) and the digital humanities project, DREaM, a database that indexes 44,000+ early modern texts, thus making long-neglected material more amenable for use with large-scale analytical tools (with St?fan Sinclair and Matt Milner).

Sommaire:
Acknowledgements; Introduction: Conversion, Cities and Theatre in the Early Modern World; 1. The Converted City: Venice, Iain Fenlon; 2. Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam, Angela Vanhaelen; 3. Francisco Cervantes de Salazar's Mexico City in 1554: A Dramaturgy of Conversion, Jos?-Juan L?pez-Portillo; 4. Conversional Thinking and the London Stage, Stephen Wittek; 5. Religious Drama and the Polemics of Conversion in Madrid, Jos? R. Jouve-Mart?n; 6. Theatre and Conversion in Early Modern Z?rich, Berne and Lucerne, Elke Huwiler; 7. Conversional Economies: Thomas Middleton's Chaste Maid in Cheapside, Paul Yachnin; Coda: Performing Conversion in an Early Modern Future, Stephen Wittek; Index.