The Mouse-Trap; Farce - Dean Howells, William

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Résumé :
A brisk nineteenth century farce by William Dean Howells, The Mouse-Trap delights with nimble satire and theatrical verve. It sparks genuine theatrical mischief. The script reads as a humorous stage play built around a mistaken identity plot and an undercurrent of satirical social themes...

Biographie:
george bernard shaw fans may detect a shared appetite for social critique beneath the laughs. Ideal for a literature students collection or as a drama enthusiasts gift, it is both accessible to casual readers and worthy of attention from collectors and theatrical historians. Its modest scale makes it particularly useful for staged readings, workshops and introductory modules in drama departments. Its rhythms remain reliable for performers, and directors and programmers appreciate the play's modest stage economy. It stages well. Republished by Alpha Editions in a careful modern edition, this volume preserves the spirit of the original while making it effortless to enjoy today - a heritage title prepared for readers and collectors alike....

Sommaire:
its lighthearted theatrical humor belongs to the late 1800s play tradition while also exemplifying a compact, stage-friendly comedy sensibility that helped define classic american comedy. Scenes unfold with economical precision and playful momentum, balancing farce with a quietly incisive eye for manners and pretension. Farce here acts as a social thermometer: laughter exposes small vanities and awkward proprieties rather than assaulting character. The language is sprightly and direct, an instructive contrast to the more elaborate melodramas of the victorian stage. Placed within william dean howells works, The Mouse-Trap gives a small but telling perspective on victorian era theater and the late nineteenth-century shift toward social realism on stage. Howells is chiefly celebrated for novels and criticism, yet here his dialogue and observational acuity translate into lively theatrical invention. The play suits modest productions, classroom study, and comparative courses that pair American and European comic approaches...