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Présentation Arrival Cities: Migrating Artists And New Metropolitan Topographies In The 20th Century de Collectif Format Broché
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Résumé : Arrival Cities: Migrating Artists and New Metropolitan Topographies in the 20th Century - An Introduction Groups and Networks Alone Together: Exile Sociability and Artistic Networks in Buenos Aires at the Beginning of the 20th Century A Great Anti-Hero of Modern Art History: Juan Aebi in Buenos Aires From Dinner Parties to Galleries: The Langhammer-Leyden-Schlesinger Circle in Bombay - 1940s through the 1950s Austro-Hungarian Architect Networks in Tianjin and Shanghai (1918-1952) Art and Exile in Rio de Janeiro: Artistic Networking during World War II Kiesler's Imaging Exile in Guggenheim's Art of this Century Gallery and the New York Avant-garde Scene in the early 1940s Mobility, Transfer and Circulation Rabindranath Tagore and Okakura Tenshin in Calcutta: The Creation of a Regional Asian Avant-garde Art Parisian Echoes: Iba N'Diaye and African Modernisms The Margin as a Space of Connection: The Artists Mira Schendel, Salette Tavares and Amelia Toledo in Lisbon Exile and the Reinvention of Modernism in Rio de Janeiro and Sao Paulo, 1937-1964 Arrival City Istanbul: Flight, Modernity and Metropolis at the Bosporus. With an Excursus on the Island Exile of Leon Trotsky Sites, Spaces and Urban Representations Mapping Finchleystrasse: Mitteleuropa in North West London Hospitable Environments: The Taj Mahal Palace Hotel and Green's Hotel as Sites of Cultural Production in Bombay Tales of a City: Urban Encounters in the Travel Book Shanghai by Ellen Thorbecke and Friedrich Schiff The Bar Sammy's Bowery Follies as Microcosm and Photographic Milieu Study for Emigrated European Photographers in 1930s and 1940s New York Changing Practices: Interventions in Artistic Landscapes Temporary Exile: The White Stag Group in Dublin, 1939-1946 Inner City Solidarity: Black Protest in the Eyes of the Jewish New York Photo League 335 Bohemians, Anarchists, and Arrabales: How Spanish Graphic Artists Reinvented the Visual Landscape of Buenos Aires, 1880-1920 The City of Plovdiv as a New Latin American Metropolis: The Artistic Activity of Latin American Exiles in Communist Bulgaria Hedda Sterne and the Lure of New York Arrival Cities: A Roundtable Arrival Cities: A Conversation with Rafael Cardoso, Partha Mitter, Elana Shapira and Elvan Zabunyan Biographies of the Authors
Burcu Dogramaci, Mareike Hetschold, Laura Karp Lugo, Rachel Lee, Helene Roth
Laura Karp Lugo
Laura Bohnenblust
Margit Franz
Eduard Kogel
Cristiana Tejo and Daniela Kern
Elana Shapira
Partha Mitter
Joseph L. Underwood
Margarida Brito Alves and Giulia Lamoni
Rafael Cardoso
Burcu Dogramaci
Rachel Dickson and Sarah MacDougall
Rachel Lee
Mareike Hetschold
Helene Roth
Kathryn Milligan
Ya'ara Gil-Glazer
Brian Bockelman
Katarzyna Cytlak
Frauke V. Josenhans
Laura Karp Lugo and Rachel Lee
Index
Biographie: Burcu Dogramaci is professor of Art History at the Ludwig-Maximilians-Universit?t Munich. In 2016 she was awarded an ERC Consolidator Grant for the ERC project Relocating Modernism: Global Metropolises, Modern Art and Exile (METROMOD).
Mareike Hetschold (PhD candidate), Laura Karp Lugo (postdoctoral researcher), Rachel Lee (postdoctoral researcher), and Helene Roth (PhD candidate) form part of the METROMOD research team.
Sommaire: The impact of migrating artists on modern art
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice, and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities became hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point - Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai - the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in these and other metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between scholars from different research fields, such as exile studies, art history, architectural history, design history, urban studies, and history.
Contributors: Brian Bockelman (Ripon College), Laura Bohnenblust (Universit?t Bern), Margarida Brito Alves (IHA-FCSH / Universidade Nova de Lisboa), Rafael Cardoso (Universidade do Estado do Rio de Janeiro), Katarzyna Cytlak (Centro de Estudios de los Mundos Eslavos y Chinos-Universidad Nacional de San Mart?n), Rachel Dickson (Ben Uri Gallery and Museum), Burcu Dogramaci (Ludwig-Maximilians-Universit?t), Margit Franz (Karl-Franzens-Universit?t Graz), Ya'ara Gil-Glazer (Tel-Hai Academic College), Mareike Hetschold (Ludwig-Maximilians-Universit?t), Frauke Josenhans (Yale University Art Gallery), Daniela Kern (Universidade Federal do Rio Grande do Sul), Laura Karp Lugo (Ludwig-Maximilians-Universit?t), Eduard K?gel (Independent scholar, Berlin), Giulia Lamoni (IHA-FCSH / Universidade Nova de Lisboa), Rachel Lee (Ludwig-Maximilians-Universit?t), Sarah MacDougall (Ben Uri Gallery and Museum), Kathryn Milligan (University College Dublin), Partha Mitter (University of Sussex), Helene Roth (Ludwig-Maximilians-Universit?t), Elana Shapira (Universit?t f?r Angewandte Kunst), Cristiana Tejo (Universidade Nova de Lisboa), Joseph L. Underwood (Kent State University), Elvan Zabunyan (Universit? Rennes 2)
For more information visit www.metromod.net
Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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