Because the Sun - Sarah Burgoyne

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Auteur(s) : Sarah Burgoyne

Editeur : Coach House Books

Langue : Anglais

Parution : 01/05/2021

Format : Moyen, de 350g à 1kg

Nombre de pages : 112

Expédition : 159

Dimensions : 20.3 x 12.7 x 1.3

ISBN : 1552454231

Résumé :

Camus's Meursault and Thelma and Louise meet up under the blazing sun.

Vexed by the 'unremarkable star' that 'presses' Camus's Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence - violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun's pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun.

Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne's making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book. -Michael Dickman, author of Days & Days

This beautiful work wraps Camus's The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun's burning punctum burst telling shards of what is erased by Camus's remarkable construction of whiteness in-the-masculine: the dead 'Arab,' the female body's interminable violations - but also its warming, even blinding capacity for consequential pleasures. -Gail Scott, author of Heroine

Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway. -Juliana Spahr, author of That Winter the Wolf Came

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Biographie:

Sarah Burgoyne's first collection Saint Twin (Mansfield, 2016) was a finalist for the A. M. Klein Prize in Poetry, awarded a prize from l'Acad?mie de la vie litt?raire, and shortlisted for the ReLit Award. Other works have appeared in journals across Canada and the U.S., have been featured in scores by American composer J.P. Merz, and have appeared within or alongside the visual art of Susanna Barlow, Jamie Macaulay, and Joani Tremblay. She currently lives and writes in Montreal.

Sommaire:

Camus's Meursault and Thelma and Louise meet up under the blazing sun.

Vexed by the 'unremarkable star' that 'presses' Camus's Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence - violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun's pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun.

Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne's making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book. -Michael Dickman, author of Days & Days

This beautiful work wraps Camus's The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun's burning punctum burst telling shards of what is erased by Camus's remarkable construction of whiteness in-the-masculine: the dead 'Arab,' the female body's interminable violations - but also its warming, even blinding capacity for consequential pleasures. -Gail Scott, author of Heroine

Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway. -Juliana Spahr, author of That Winter the Wolf Came