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Voices in the Wilderness - Simmons, Walter

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        Avis sur Voices In The Wilderness Format Broché  - Livre Beaux arts

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        Présentation Voices In The Wilderness Format Broché

         - Livre Beaux arts

        Livre Beaux arts - Simmons, Walter - 01/02/2006 - Broché - Langue : Anglais

        . .

      • Auteur(s) : Simmons, Walter
      • Editeur : Scarecrow Press
      • Langue : Anglais
      • Parution : 01/02/2006
      • Format : Moyen, de 350g à 1kg
      • Nombre de pages : 434
      • Expédition : 543
      • Dimensions : 21.6 x 14.0 x 2.3
      • ISBN : 9780810857285



      • Résumé :

        Part 1 Acknowledgments
        Part 2 1. Introduction
        Chapter 3 The American Neo-Romantics
        Chapter 4 Organization and Use of This Book
        Chapter 5 Notes
        Chapter 6 Selected Bibliography
        Part 7 2. Ernest Bloch
        Chapter 8 Biography
        Chapter 9 Music
        Chapter 10 Most Representative, Fully Realized Works
        Chapter 11 Early Works: First European Period (1901-1906)
        Chapter 12 Maturity: First European Period (1909-1916)
        Chapter 13 Maturity: New York Period (1916-1919)
        Chapter 14 Maturity: Cleveland Period (1920-1925)
        Chapter 15 Maturity: San Francisco Period (1925-1929)
        Chapter 16 Maturity: Second European Period (1930-1939)
        Chapter 17 Later Maturity: Oregon Period (1939-1959)
        Chapter 18 Conclusion
        Chapter 19 Notes
        Part 20 3. Howard Hanson
        Chapter 21 Biography
        Chapter 22 Music
        Chapter 23 Most Representative, Fully Realized Works
        Chapter 24 Early Period (until 1920)
        Chapter 25 Early Maturity (1921-1946)
        Chapter 26 Later Maturity (after 1947)
        Chapter 27 Conclusion
        Chapter 28 Notes
        Chapter 29 Selected Bibliography
        Chapter 30 Essential Discography
        Part 31 4. Vittorio Giannini
        Chapter 32 Biography
        Chapter 33 Music
        Chapter 34 Most Representative, Fully Realized Works
        Chapter 35 First Phase (1920s through Early 1940s)
        Chapter 36 Second Phase (Early 1940s through 1960s)
        Chapter 37 Third Phase (1960-1966)
        Chapter 38 Conclusion
        Chapter 39 Notes
        Chapter 40 Selected Bibliography
        Chapter 41 Essential Discography
        Part 42 5. Paul Creston
        Chapter 43 Biography
        Chapter 44 Music
        Chapter 45 Stylistic Features
        Chapter 46 Most Representative, Fully Realized Works
        Chapter 47 Discussion of Works
        Chapter 48 Conclusion
        Chapter 49 Notes
        Chapter 50 Selected Bibliography
        Chapter 51 Essential Discography
        Part 52 6. Samuel Barber
        Chapter 53 Biography
        Chapter 54 Music
        Chapter 55 Most Representative, Fully Realized Works
        Chapter 56 Childhood: Early Period (until 1942)
        Chapter 57 Adolescence: Period of Exploration and Experimentation (1942 through 1952)
        Chapter 58 Adulthood: Music of Maturity (after 1952)
        Chapter 59 Conclusion
        Chapter 60 Notes
        Chapter 61 Selected Bibliography
        Chapter 62 Essential Discography
        Part 63 7. Nicolas Flagello
        Chapter 64 Biography
        Chapter 65 Music
        Chapter 66 Most Representative, Fully Realized Works
        Chapter 67 Early Period (until 1958)
        Chapter 68 Transitional Period (1958-1959)
        Chapter 69 Mature Period (1959-1985)
        Chapter 70 Conclusion
        Chapter 71 Notes
        Chapter 72 Selected Bibliography
        Chapter 73 Essential Discography
        Part 74 Index
        Part 75 About the Author

        ...

        Biographie:
        Walter Simmons...

        Sommaire:
        Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition-exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the Twentieth-Century Traditionalist, Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work....

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