Directing the Documentary - Courtney Hermann
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Présentation Directing The Documentary de Courtney Hermann Format Broché
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Résumé : Preface to the Seventh Edition BOOK I: GETTING STARTED PART 1: YOU AND YOUR IDEAS Chapter 1 You and Film Authorship Chapter 2 The Nature of Documentary PART 2: DOCUMENTARIES AND FILM LANGUAGE Chapter 3 How the Documentary Developed Chapter 4 Constructing Reality Chapter 5 Story Elements and Film Grammar PART 3: PREPRODUCTION Chapter 6 Developing Story Ideas Chapter 7 Hypothesis, Research and Plan Chapter 8 Developing Ideas for a Short Documentary PART IV PRODUCTION Chapter 10 Capturing Sound Chapter 11 Lighting Chapter 12 Camera Chapter 13 Directing and Interviewing PART 5: POSTPRODUCTION Chapter 14 Creating the First Assembly Chapter 15 Developing the Edit Chapter 16 Fine Cut, Music, Audio and Color Correction BOOK II: ADVANCED CONCEPTS PART 6: DOCUMENTARY AESTHETICS Chapter 17 Point of View and Storytelling Chapter 18 Dramatic Development, Time and Story Structure Chapter 19 Using Form and Style Chapter 20 Reconstruction, Reenactment and Docudrama Chapter 21 Values and Ethics PART 7 ADVANCED PRODUCTION ISSUES PART 7A ADVANCED PREPRODUCTION Chapter 22 Handling Larger Projects Chapter 23 Relations with Participants, Story Development and Funding Proposals Chapter 24 Advanced Technology, Budgeting, Scheduling Chapter 25 Preparations before Directing PART 7B: ADVANCED PRODUCTION Chapter 26 Optics and Perception Chapter 27 Advanced Cameras and Support Equipment Chapter 28 Advanced Location Sound Chapter 29 Advanced Directing: Participants Chapter 30 Advanced Directing: Camera Chapter 31 Advanced Interviewing PART 7C ADVANCED POSTPRODUCTION Chapter 32 From Transcript to Assembly Chapter 33 Creating Narration Chapter 34 Original Music Chapter 35 Editing Refinements and Structural Solutions Chapter 36 The Final Sound Mix PART 8: WORK Chapter 37 Developing a Career Chapter 38 Starting up on Your Own Index
Biographie: Michael Rabiger began in the cutting rooms of England's Pinewood and Shepperton Studios, became an editor and BBC director of documentaries, and then specialized for many years in the US as a production and aesthetics educator. At Columbia College Chicago he was co-founder, then chair of the Film/Video Department and founded the Michael Rabiger Center for Documentary. He has directed or edited more than 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries, designed and led a multinational European documentary workshop for CILECT, won the International Documentary Association's Scholarship and Preservation Award, and was also awarded the Genius/Career Achievement Award by the Chicago International Documentary Festival. He is the author of Developing Story Ideas and co-author of the enormously successful Directing: Film Techniques and Aesthetics, now in its sixth edition Courtney Hermann is an Assistant Professor of Film at Portland State University, an award-winning independent documentary filmmaker, and a non-fiction media producer. Courtney's work is distributed by Public Broadcasting Service and its affiliates, through educational film catalogues, at film festivals, and through impact distribution to community partners.
Sommaire: Michael Rabiger began in the cutting rooms of England's Pinewood and Shepperton Studios, became an editor and BBC director of documentaries, and then specialized for many years in the US as a production and aesthetics educator. At Columbia College Chicago he was co-founder, then chair of the Film/Video Department and founded the Michael Rabiger Center for Documentary. He has directed or edited more than 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries, designed and led a multinational European documentary workshop for CILECT, won the International Documentary Association's Scholarship and Preservation Award, and was also awarded the Genius/Career Achievement Award by the Chicago International Documentary Festival. He is the author of Developing Story Ideas and co-author of the enormously successful Directing: Film Techniques and Aesthetics, now in its sixth edition Courtney Hermann is an Assistant Professor of Film at Portland State University, an award-winning independent documentary filmmaker, and a non-fiction media producer. Courtney's work is distributed by Public Broadcasting Service and its affiliates, through educational film catalogues, at film festivals, and through impact distribution to community partners.
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