Frank Duveneck -

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Résumé :
A fresh look at the work of Frank Duveneck (1848-1919), one of the most celebrated American artists of the Gilded Age.

Biographie:
Julie Aronson is curator of American Paintings, Sculpture and Drawings, Cincinnati Art Museum. Barbara Gallati is curator emerita of American Art, Brooklyn Museum. Sarah Burns is Ruth N. Halls Professor, Department of Art History, Indiana University. Andr? Dombrowski is associate professor, History of Art Department, University of Pennsylvania. Elizabeth A. Simmons is curatorial research assistant, Cincinnati Art Museum. Kristin L. Spangenberg is curator of Prints, Cincinnati Art Museum. Colm T?ib?n is an award-winning novelist, short story writer, essayist, playwright, journalist, critic, and poet, and currenlty Irene and Sidney B. Silverman Professor of the Humanities, Department of English and Comparative Literature, Columbia University. He is the author of, most recently, Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, (2018) and Brooklyn (2009), and co-author of Henry James and American Painting, (2017).

Sommaire:
Director's Foreword by Cameron Kitchin; Acknowledgments by Julie Aronson

Introduction by Barbara Gallati

Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation
Essay 2: Andr? Dombrowski, Everything is Moist: Frank Duveneck and Munich's Painterly Realism
Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity, and the Munich Style in Gilded Age America
Essay 4: Colm To?b?n, Frank Duveneck and Henry James
Essay 5: Kristin Spangenberg, Duveneck as Printmaker
Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings

Main Catalogue: 130 Plates of artworks
Notes
Brief captions
Illustrated Chronology, by Elizabeth Simmons
Selected Bibliography
Photo Credits
Index