Castle of Shadows - Lawton, Anna

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Résumé :
This enticing family saga unfolds on the background of Italian history from 1870 to 1950. The rich narrative tapestry includes a castle in the Piedmont countryside near Turin, three women, three generations, and a multitude of minor characters. It brings to the fore individual lives and human predicaments, personal feelings and universal themes. The lives of the three main characters, apparently ordinary, but actually tragic in their inexorable decline, are placed in a coral context that includes: the castle dwellers and the villagers, industrial entrepreneurs and socialist agitators, stars of the silent screen and working girls, American officers in WWI, fascist thugs and victims of the regime, a rogue and an honest prostitute, a singer of the Neapolitan variet?, a Russian prince, a descendant of Sir Walton the pirate, a band of partisans, a liberal priest, and even a domestic leopard. The narrator, who is herself a character, claims an approximate knowledge of facts, which she gathered from personal memories, stories heard from various people, documents and letters, supplemented by the imagination where evidence is lacking. Most of all, it is the photos from the family album that stir her imagination. The use of various languages and dialects very effectively adds sound to the images.

Biographie:
Anna Lawton, born in Italy, was a professor of Russian literature at Purdue University, and later taught courses in visual culture and film studies at Georgetown University. She is the author of three scholarly books, and numerous articles and essays in academic collections. Her book, Imaging Russia 2000: Film and Facts, received the CHOICE Award as Outstanding Academic Title 2005. Her first novel, Family Album, was published in Italy, and is currently being translated into English. She lives in Washington, D.C....

Sommaire:
This enticing family saga unfolds on the background of Italian history from 1870 to 1950. The rich narrative tapestry includes a castle in the Piedmont countryside near Turin, three women, three generations, and a multitude of minor characters. It brings to the fore individual lives and human predicaments, personal feelings and universal themes. The lives of the three main characters, apparently ordinary, but actually tragic in their inexorable decline, are placed in a coral context that includes: the castle dwellers and the villagers, industrial entrepreneurs and socialist agitators, stars of the silent screen and working girls, American officers in WWI, fascist thugs and victims of the regime, a rogue and an honest prostitute, a singer of the Neapolitan variet?, a Russian prince, a descendant of Sir Walton the pirate, a band of partisans, a liberal priest, and even a domestic leopard. The narrator, who is herself a character, claims an approximate knowledge of facts, which she gathered from personal memories, stories heard from various people, documents and letters, supplemented by the imagination where evidence is lacking. Most of all, it is the photos from the family album that stir her imagination. The use of various languages and dialects very effectively adds sound to the images....