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Présentation Making It Heard de
- Livre Anglais
Résumé :
From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework....
Biographie: Rui Chaves is a sound artist, performer, and researcher. He has presented his work in several institutions and events throughout the United Kingdom, Brazil, France, Canada, Portugal, and Germany. As a researcher, he is interested in developing accounts of contemporary sound artworks produced within the Global South.
Fernando Iazzetta is a Brazilian composer, performer, and Professor of Music and Technology at the University of Sao Paulo, Brazil, as well as the director of NuSom-Research Centre on Sonology. As a researcher he is interested in the investigation of experimental forms of music and sound art.
Sommaire: List of Figures
Foreword: The Clash between Body and Artwork (Ricardo Basbaum, Fluminense Federal University, Brazil)
Acknowledgements
Introduction (Rui Chaves and Fernando Iazzetta, University of S?o Paulo, Brazil)
Part One: Abre-Alas
1. Sounds from Elsewhere: Episodes for a History of Brazilian Sound Art (Fernando Iazzetta, University of S?o Paulo, Brazil)
2. Making Oneself Heard in Public, through Art and in Sound-Based Scholarship (Rui Chaves, University of S?o Paulo, Brazil)
Part Two: Bateria
3. Music Is What I Make (Vivian Caccuri, Federal University of Rio de Janeiro, Brazil)
4. Radio Art, Cassette Culture, and Networked Artistic Practices: The International Ra(u)dio Art Show (IRAS) in Recife (Yuri Bruscky, Federal University of Pernambuco, Brazil)
Part Three: Barrac?o
5. Gambiarra's Perspective (Giuliano Obici, Fluminense Federal University, Brazil)
6. Listening to the Debris: Brazilian Sound Art and the Low-Technology Economy (Andre Dami?o, University of S?o Paulo, Brazil)
Part Four: Avenida
7. Being in the Field: Process, Narrativity, and Discovery in the Field-Recording Work of Thelmo Cristovam and Alexandre Fenerich (Paulo Dantas, Federal University of the State of Rio de Janeiro, Brazil)
8. Other Paths to Sonic Cartographies: Mapa Sonoro CWB and Its Untethered Soundwalks (Tha?s Arag?o, Federal University of Cear?, Brazil)
Part Five: Batucada
9. Out of the Mainstream: Noise and Otherness in the Work of Marie Carangi, Paula Garcia, and Sofia Caesar (L?lian Campesato, University of S?o Paulo, Brazil)
10. Counter-Tradition: Toward the Black Vanguard of Contemporary Brazil (GG Albuquerque, Federal University of Pernambuco, Brazil)
11. Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis (T?nia Mello Neiva, Federal University of Para?ba, Brazil)
Afterword: The Audibility of Brazilian Sound Art (Ana M. Ochoa Gautier, Columbia University, USA)
List of Contributors
Index
Détails de conformité du produit
Personne responsable dans l'UE