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Jonathan Swift - Hammond, Eugene

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        Présentation Jonathan Swift Format Broché

         - Livre Littérature Générale

        Livre Littérature Générale - Hammond, Eugene - 01/03/2016 - Broché - Langue : Anglais

        . .

      • Auteur(s) : Hammond, Eugene
      • Editeur : University Of Delaware Press
      • Langue : Anglais
      • Parution : 01/03/2016
      • Format : Moyen, de 350g à 1kg
      • Nombre de pages : 822
      • Expédition : 1310
      • Dimensions : 22.9 x 15.2 x 4.8
      • ISBN : 9781644530405



      • Résumé :


        Intro
        Contents
        Preface
        The Author to the Reader
        Acknowledgments
        List of Abbreviations for Frequently Cited Sources
        PART 1: 1667-1689: BLOWN IN TO IRELAND
        1: Born to the Protestant Ascendancy, and to His Own Father
        2: Kidnapped
        3: Ill Treatment from His Nearest Relations?
        4: A Playful but Well-Disciplined Schoolboy
        5: Acquiring the Prejudices of Education
        6: Parody, Humor, and the Satirical Tripos Tradition
        PART 2: 1689-1699: PROLONGED ADOLESCENCE
        7: Wholesale Protestant Flight
        8: The Temples, and Bridget and Esther Johnson 9: Impressing Sir William with Good Penmanship, Skilled Oral Reading, and Being a Good Listener
        10: The Battle of the Boyne
        11: Befriending Ten-Year-Old Esther Johnson
        12: Life Mastered at Age Twenty-Five
        13: Choosing His Grandfather's Career over His Father's
        14: Your First Job Is Almost Always a Bad One
        15: An Equivocating Dodge from Marriage
        16: For the Time Being, Writing Trumps Service to the Church
        17: Respected Secretary, but Already on the Wrong Side of Thirty
        PART 3: 1699-1704: WILLOWS, ACCOUNT BOOKS, TAKING RESPONSIBILITY FOR TWO WOMEN FORMERLY IN SERVICE
        18: With the Help of Lady Giffard
        19: Professional Independence
        20: Jettisoning Jane Waring
        21: Rescuing Esther Johnson and Rebecca Dingley from Lives of Service
        22: Political Theory, Never Forgetting Human Nature
        23: Building a Comfortable Life in Ireland
        24: Making a Laracor Cabin a Home
        25: Swift the Historian
        26: Throwing the Dice with A Tale of a Tub
        27: Woops! Rev. Tisdall Proposes to Esther Johnson
        28: After Three Prefatory Pieces, the Preface
        29: Rethinking Dante's Divine Comedy
        30: Digressing to the Core of Our Being
        31: The Tale in Context 32: The Spider and the Bee
        33: Stirring Up Spirituality
        34: Planting Minefields in Your Own Path through Life
        PART 4: 1704-1710: AFTER A RURAL RETREAT WITH ESTHER JOHNSON: GAINING TRACTION IN THE ENGLISH WORLDS OF POLITICS AND OF LITERATURE
        35: Serving the Irish Church
        36: The Vicar of Laracor vs. the Freethinking Matthew Tindal
        37: Union with the Wrong Dependent Kingdom
        38: At the Age of Forty, a Career Jump-Start
        39: Spilled Coffee
        40: To Mischief Swift
        41: The Coffee House Life
        42: Sacrificing the Test Act for the First Fruits? 43: The Sensible Moderate's Manifesto
        44: Inconveniencing Men of Quality
        45: Swift a Projector?
        46: Catching a Bit of the Spleen
        47: The Injured Lady, De?j? Vu
        48: The Queen's Bounty Redux
        49: At Play
        50: Breathing Space in Ireland
        51: Family and Friends
        PART 5: 1710-1711: POLITICAL AND PERSONAL EXHILERATION
        52: Home: England or Ireland?
        53: The Politics of September 1710
        54: He Understands Me, He Likes Me, He Respects Me (I'm Pretty Sure)
        55: Sir Matthew Dudley's Extraordinary Letter
        56: Extending the Queen's Bounty to Ireland
        57: Suddenly, an Examiner
        58: The Art of Political Lying
        59. Cuffing the Duke of Marlborough, Slicing the Earl of Wharton
        60. A Lost Christmas
        61. The Examiner Cross-Examined ...

        Biographie:
        unlike Freud, though, he saw both religion and civil society as necessary and helpful checks on those wayward tendencies, and he (frequently, but certainly not always) acknowledged that he shared those tendencies with the rest of us. This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift: Our Dean, will differ from most literary biographies in that it does not aim to show how Swift's life illuminates his writings, but rather how and why Swift wrote in order to live the life he wanted to live. I have liberally quoted Swift's own words in this biography because his inventive expression of ideas, both in his public works and in his private letters, was what has made him a unique and compelling figure in the history of literature. I hope in these two books to come closer than past biographies to capturing how it felt to Swift himself to live his life. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press. ...

        Sommaire:
        Jonathan Swift: Irish Blow-in covers the arc of the first half of Jonathan Swift's life, offering fresh details of the contentment and exuberance of his childhood, of the support he received from his grandmother, of his striking affection for Esther Johnson from the time she was ten years old (his pet name for her in her twenties was saucebox), of his precocious entry into English politics with his Contests and Dissensions pamphlet, of his brilliant and much misunderstood Tale of a Tub, and of his naive determination to do well both as a vicar of the small parish of Laracor in Ireland and as a writer for the Tory administration trying to pull England out of debt by ending the war England was engaged in with France. I do not share with past biographers the sense that Swift had a deprived childhood. I do not share the suspicion that most of Swift's enmities were politically motivated. I do not feel critical of him because he was often fastidious with his money. I do not think he was insincere about his religious faith. His pride, his sexual interests, his often shocking or uninhibited language, his instinct for revenge - emphasized by many previous biographers - were all fundamental elements of his being, but elements that he either used for rhetorical effect, or that he tried to keep in check, and that he felt that religion helped him to keep in check. Swift had as firm a conviction as did Freud that we are born with wayward tendencies...

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