Echoes Down the Corridor -

. .

Résumé :
CONTENTS: Christopher Murray: 'Echoes Down the Corridor': The Abbey Theatre 1904-2004 - Mary C. King: A Synge for Our Times? Yeats's enquiring man revisited - Joan FitzPatrick Dean: Staging the Aesthetic: The Vagrant Artists of Padraic Colum and Seumas O'Kelly - Chiaki Kojima: Shoyo Matsui, A Japanese Lennox Robinson: The Irish National Theatre and Japanese New Drama - Irina Ruppo: Wessex to Geesala: Hardy and Synge - Paul O'Brien: Sean O'Casey and The Abbey Theatre: A Conflicted Relationship - Helen Lojek: Observe the Sons of Ulster: Historical Stages - Christa Velten-Mrowka: 'Am I a con man?': Brian Friel's idea of the self-reflective artist, viewed in the light of Adorno's aesthetic theory - Alexandra Poulain: 'A Voice and little else': talking, writing and singing in The Gigli Concert - M?ria Kurdi: Spatializing the Renewal of Female Subjectivity in Marie Jones's Women on the Verge of HRT - Donal E. Morse: The Present through the Prism of the Past: Frank McGuinness's Dolly West's Kitchen - Mika Funahashi: 'Grow a Mermaid': A Subtext for Marina Carr's Dramatic Works - Jason King: Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre - Lisa Fitzpatrick: Nation and Myth in the Age of the Celtic Tiger: Muide ?ire?...

Biographie:
CONTENTS: Christopher Murray: 'Echoes Down the Corridor': The Abbey Theatre 1904-2004 - Mary C. King: A Synge for Our Times? Yeats's enquiring man revisited - Joan FitzPatrick Dean: Staging the Aesthetic: The Vagrant Artists of Padraic Colum and Seumas O'Kelly - Chiaki Kojima: Shoyo Matsui, A Japanese Lennox Robinson: The Irish National Theatre and Japanese New Drama - Irina Ruppo: Wessex to Geesala: Hardy and Synge - Paul O'Brien: Sean O'Casey and The Abbey Theatre: A Conflicted Relationship - Helen Lojek: Observe the Sons of Ulster : Historical Stages - Christa Velten-Mrowka: 'Am I a con man?': Brian Friel's idea of the self-reflective artist, viewed in the light of Adorno's aesthetic theory - Alexandra Poulain: 'A Voice and little else': talking, writing and singing in The Gigli Concert - M?ria Kurdi: Spatializing the Renewal of Female Subjectivity in Marie Jones's Women on the Verge of HRT - Donal E. Morse: The Present through the Prism of the Past: Frank McGuinness's Dolly West's Kitchen - Mika Funahashi: 'Grow a Mermaid': A Subtext for Marina Carr's Dramatic Works - Jason King: Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre - Lisa Fitzpatrick: Nation and Myth in the Age of the Celtic Tiger: Muide ?ire?...

Sommaire:
CONTENTS: Christopher Murray: 'Echoes Down the Corridor': The Abbey Theatre 1904-2004 - Mary C. King: A Synge for Our Times? Yeats's enquiring man revisited - Joan FitzPatrick Dean: Staging the Aesthetic: The Vagrant Artists of Padraic Colum and Seumas O'Kelly - Chiaki Kojima: Shoyo Matsui, A Japanese Lennox Robinson: The Irish National Theatre and Japanese New Drama - Irina Ruppo: Wessex to Geesala: Hardy and Synge - Paul O'Brien: Sean O'Casey and The Abbey Theatre: A Conflicted Relationship - Helen Lojek: Observe the Sons of Ulster : Historical Stages - Christa Velten-Mrowka: 'Am I a con man?': Brian Friel's idea of the self-reflective artist, viewed in the light of Adorno's aesthetic theory - Alexandra Poulain: 'A Voice and little else': talking, writing and singing in The Gigli Concert - M?ria Kurdi: Spatializing the Renewal of Female Subjectivity in Marie Jones's Women on the Verge of HRT - Donal E. Morse: The Present through the Prism of the Past: Frank McGuinness's Dolly West's Kitchen - Mika Funahashi: 'Grow a Mermaid': A Subtext for Marina Carr's Dramatic Works - Jason King: Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre - Lisa Fitzpatrick: Nation and Myth in the Age of the Celtic Tiger: Muide ?ire?...