Deviant Acts -

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Résumé :
CONTENTS: Eibhear Walshe: Queering Oscar: Versions of Wilde on the Irish Stage and Screen - Kathryn Conrad: The Politics of Camp: Queering Parades, Performance, and the Public in Belfast - M?ria Kurdi: Lesbian Versions of the Female Biography Play: Emma Donoghue's I know My Own Heart and Ladies and Gentlemen - Fintan Walsh: Touching, Feeling, Cross-dressing: On the Affectivity of Queer Performance. Or, What Makes Panti Fabulous - Michael Patrick Lapointe: Edward Martyn's Theatrical Hieratic Homoeroticism - Brian Merriman: The International Dublin Gay Theatre Festival - Niall Rea: Sexuality and Dysfuntional City: Queering Segregated Space - Samuele Grassi: Gender as Performance in the Works of Glasshouse Producions, Dublin - Todd Barry: Queer Wanderers, Queer Spaces: Dramatic Devices for Re-imagining Ireland - Charlotte McIvor: 'Crying' on 'Pluto': Queering the 'Irish Question' for Global Film Audiences - Kathleen A. Heininge: Living by the Code: Authority in The Gay Detective - David Cregan: 'There's Nothing Queer Here': The Abbey Theatre and the Problem of Practice....

Biographie:
CONTENTS: Eibhear Walshe: Queering Oscar: Versions of Wilde on the Irish Stage and Screen - Kathryn Conrad: The Politics of Camp: Queering Parades, Performance, and the Public in Belfast - M?ria Kurdi: Lesbian Versions of the Female Biography Play: Emma Donoghue's I know My Own Heart and Ladies and Gentlemen - Fintan Walsh: Touching, Feeling, Cross-dressing: On the Affectivity of Queer Performance. Or, What Makes Panti Fabulous - Michael Patrick Lapointe: Edward Martyn's Theatrical Hieratic Homoeroticism - Brian Merriman: The International Dublin Gay Theatre Festival - Niall Rea: Sexuality and Dysfuntional City: Queering Segregated Space - Samuele Grassi: Gender as Performance in the Works of Glasshouse Producions, Dublin - Todd Barry: Queer Wanderers, Queer Spaces: Dramatic Devices for Re-imagining Ireland - Charlotte McIvor: ' Crying' on ' Pluto' : Queering the 'Irish Question' for Global Film Audiences - Kathleen A. Heininge: Living by the Code: Authority in The Gay Detective - David Cregan: 'There's Nothing Queer Here': The Abbey Theatre and the Problem of Practice....

Sommaire:
CONTENTS: Eibhear Walshe: Queering Oscar: Versions of Wilde on the Irish Stage and Screen - Kathryn Conrad: The Politics of Camp: Queering Parades, Performance, and the Public in Belfast - M?ria Kurdi: Lesbian Versions of the Female Biography Play: Emma Donoghue's I know My Own Heart and Ladies and Gentlemen - Fintan Walsh: Touching, Feeling, Cross-dressing: On the Affectivity of Queer Performance. Or, What Makes Panti Fabulous - Michael Patrick Lapointe: Edward Martyn's Theatrical Hieratic Homoeroticism - Brian Merriman: The International Dublin Gay Theatre Festival - Niall Rea: Sexuality and Dysfuntional City: Queering Segregated Space - Samuele Grassi: Gender as Performance in the Works of Glasshouse Producions, Dublin - Todd Barry: Queer Wanderers, Queer Spaces: Dramatic Devices for Re-imagining Ireland - Charlotte McIvor: ' Crying' on ' Pluto' : Queering the 'Irish Question' for Global Film Audiences - Kathleen A. Heininge: Living by the Code: Authority in The Gay Detective - David Cregan: 'There's Nothing Queer Here': The Abbey Theatre and the Problem of Practice....