Whose Middle Ages? -

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Résumé :
1
Part I - Stories
The Invisible Peasantry
Sandy Bardsley

Biographie:

Andrew Albin is Associate Professor of English and Medieval Studies at Fordham University. His scholarship in the fi eld of historical sound studies examines embodied listening practices, sound's meaningful contexts, and the lived aural experiences of historical hearers-in a word, the sonorous past-as an object of critical inquiry. His work has been recognized with grants and fellowships from the American Council of Learned Societies, the Medieval Academy of America, the Pontifical Institute of Mediaeval Studies, and the Yale Institute of Sacred Music. He is the author of Richard Rolle's Melody of Love: A Study and Translation with Manuscript and Musical Contexts (PIMS, 2018).

Mary C. Erler is Distinguished Professor of English at Fordham University and a member of the faculty of Fordham University's Center for Medieval Studies.

Nicholas L. Paul is Associate Professor of History at Fordham University. He received his MPhil in Medieval History and PhD in History from Cambridge University. His previous publications include To Follow in Their Footsteps: The Crusades and Family Memory in the High Middle Ages (Cornell, 2017) and the coedited collections Remembering the Crusades: Myth, Image, and Identity (Johns Hopkins, 2012), and, with Laura K. Morreale, The French of Outremer: Communities and Communications in the Crusading Mediterranean (Fordham, 2018).

Nina Rowe is Associate Professor of Art History and a member of the faculty of Fordham University's Center for Medieval Studies.

David M. Perry is Senior Academic Advisor in the History Department at the University of Minnesota.

Geraldine Heng is Perceval Professor in English and Comparative Literature, Middle Eastern Studies and Women's Studies, at the University of Texas in Austin. The author of Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy (Columbia, 2003, 2004, 2012), The Invention of Race in the European Middle Ages (Cambridge, 2018), and England and the Jews: How Religion and Violence Created the First Racial State in the West (Cambridge, 2018). She is also the founder and director of the Global Middle Ages Project (www.globalmiddleages.org). She is currently researching and writing Early Globalisms: The Interconnected World, 500- 1500 CE.

Sandy Bardsley is Professor of Medieval History at Moravian College in Bethlehem, Pennsylvania. Her work focuses on women and gender in late medieval England.

Adam M. Bishop obtained his PhD in medieval studies from the University of Toronto in 2011. He is currently an independent scholar researching the legal system of the crusader Kingdom of Jerusalem.

Marian Bleeke received her PhD in art history from the University of Chicago. She has taught at Beloit College, Southern Illinois University at Carbondale, and the State University of New York at Fredonia, and is currently Associate Professor of Art History and Director of General Education at Cleveland State University. Her first book, Motherhood and Meaning in Medieval Sculpture: Representations from France, c. 1100- 1500, was published by Boydell and Brewer in 2017.

Will Cerbone holds an MA from the University of Toronto's Centre for Medieval Studies. He is a writer and an editor of scholarly books in New York.

William J. Diebold is the Jane Neuberger Goodsell Professor of Art History and Humanities at Reed College. He has published extensively on early medieval topics, including his book Word and Image: An Introduction to Early Medieval Art (Routledge, 2001). He has taught these areas at Reed since 1987, and participates in the College's humanities program, teaching both ancient Mediterranean and modern Europe...

Sommaire:

Introduction
David Perry