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Copper Yearning - Kimberly Blaeser

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      Présentation Copper Yearning de Kimberly Blaeser Format Broché

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      Livre - Kimberly Blaeser - 01/11/2019 - Broché - Langue : Anglais

      . .

    • Auteur(s) : Kimberly Blaeser
    • Editeur : Holy Cow Press
    • Langue : Anglais
    • Parution : 01/11/2019
    • Format : Moyen, de 350g à 1kg
    • Nombre de pages : 158
    • Expédition : 240
    • Dimensions : 22.7 x 14.8 x 1.0
    • ISBN : 9781513645612



    • Résumé :
      A major new collection of vividly rendered lyrical and narrative poems that trace the complex inheritances of 21st century Native America.

      Biographie:

      Kimberly Blaeser, poet, critic, essayist, and fiction writer, is a Professor at the University of Wisconsin-Milwaukee and a member of the low residency MFA faculty for the Institute of American Indian Arts in Santa Fe. She served as Wisconsin Poet Laureate for 2015-2016. Blaeser is Anishinaabe, an enrolled member of the Minnesota Chippewa Tribe, and grew up on White Earth Reservation in northwestern Minnesota. Her collections of poetry include Apprenticed to Justice (2007), Absentee Indians and Other Poems (2002), and Trailing You (1994), which won the Native Writers' Circle of the Americas First Book Award. She is also the author of a critical study on fellow White Earth writer Gerald Vizenor, entitled Gerald Vizenor: Writing in the Oral Tradition (1996), and editor of the anthologies Traces in Blood, Bone & Stone: Contemporary Ojibwe Poetry (2006), and Stories Migrating Home: A Collection of Anishinaabe Prose (1999). Blaeser's poetry, short fiction, and creative nonfiction have been widely published, and selections of her poetry have been translated into several languages including Spanish, French, Norwegian, Indonesian, and Hungarian. Her writing is included in more than forty anthologies and collections such as Native Voices: Honoring Indigenous Poetry from North America (2019), Fire and Ink: An Anthology of Social Action Writing (2009), The Colors of Nature: Culture, Identity, and the Natural World (2011), Thinking Continental: Writing the Planet One Place at a Time (2017), Poetry of Presence: An Anthology of Mindfulness Poems (2017) and Reinventing the Enemy's Language (1997). Blaeser has performed her poetry at over 350 different venues around the globe, and has been the recipient of awards and fellowships from the Wisconsin Arts Board, the Center for 21st Century Studies, the D'Arcy McNickle Center for the History of the American Indian, and the Institute on Race and Ethnicity among others. She is an editorial board member for the American Indian Lives series of the University of Nebraska Press, for the Native American Series of Michigan State University Press, and for the Indigenous Studies Journal Transmotion. Blaeser, who worked as a journalist before earning her Ph.D. at the University of Notre Dame is also an avid wildlife and nature photographer often exhibiting her photos, ekphrastic poetry, and a mixed-genre art form for which she invented the term Picto-Poem. She lives in the woods and wetlands of rural Lyons Township Wisconsin and spends part of each year at a water access cabin adjacent to the Boundary Waters Canoe Area Wilderness in northeastern Minnesota.

      Sommaire:
      CONTENTS
      Acknowledgments ix
      Proem: Wellspring: Words from Water 2
      i. GEOGRAPHIES OF LONGING
      Dreams of Water Bodies/ Nibii-wiiyawan Bawaadanan 4
      Of Eons and Epics 5
      Please withhold koans and questions 8
      Slippage 9
      Cadastre, Apostle Islands 11
      Angles of Being 13
      Talking Rock 14
      Pica 15
      Winter Transfigurations 16
      After Taiwan 18
      Caption 19
      Words on Yearning 20
      ii. HUNGER FOR BALANCE
      Of Fractals and Pink Flowering 23
      This Stranger's Beauty 25
      Dreams of Water Bodies, Two 26
      BWCA Haiku 28
      What I Believe 29
      A Litany of Other 30
      What the Rain Remembers 32
      Becoming Turtle 33
      Tincture 34
      Another Intimation 35
      Endaso-Dagwaagin 36
      Manoominike-giizis 38
      iii. FRAYED HISTORIES
      A Subjectifixation Cento for Two Voices 40
      Of Nalusachito and the Course of Rivers 42
      Verse Drama One: Pagan 44
      Verse Drama Two: Surveyor, 1849 45
      Rattle 46
      1850. Sandy Lake, Minnesota. 47
      Mochi, Prisoner of War 49
      Estate of Chief Black Kettle (1813-1868) 50
      Sutra, in Umber 51
      Summary Tabulations Descriptive of One Hundred and
      Fifty Chippewa Indian Families on the White Earth
      Reservation 52
      Ancient Hunger 53
      Captivity 54
      iv. ALCHEMY INHERITED
      On Climbing Petroglyphs 56
      Veteran's Day 57
      Fire, After Fire 58
      Bawaajige 59
      Photosynthesis 61
      Exit #135 62
      Speaking, Like Old Desire 64
      Fatima at the Bab el-Bahrain Souk 65
      Reliquary 66
      Regarding the Care of Homeless Children 68
      The Ritual of Wishing Hands 70
      Sting Like a Bee 72
      When We Sing Of Might 73
      The Solace of Forgotten Races 75
      Again the Night 76
      Recipe for Remembrance 77
      That Buffalo Hair Fedora 78
      v. BLACK ASH AND RESISTANCE
      Unlawful Assembly 81
      The Smallest Shaft of Light 82
      Ikwe-niimi: Dancing Resistance 84
      This House of Words 85
      Mooningwanekaaning-minis 86
      Because We Come From Everything 87
      Tribal Mound, Earth Sutra 89
      Of the many ways to say: Please Stand 90
      Poem for a Tattered Planet: If the Measure is Life 91
      Dispersion: A Treatise 94
      Eloquence of Earth 95
      Prairie Thunder 97 Solidarity: A Cento 99
      Sacred Stone Camp 101
      vi. REFRACTIONS OF SPIRIT
      Minobimaadizi 104
      A Song for Giving Back 105
      When Loving is the Yield 107
      Voices in the Desert, Bahrain 2010 108
      Before Pearl Square 109
      Shiteet, the Smallest Pearl 110
      Canyon on the Edge of Years 111
      Senbzura, Held Together by Strings 112
      Spirit Dogs 113
      Bronze Lumen 116
      These Small Turns of Memory 117
      Winter Aurora 121
      After Words
      122
      Envoi: Drum Song 124

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