Sounds, Societies, Significations -

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Résumé :

Part I. Theoretical Reflections.- Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt).- Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli).- Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankait?).- Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica).- Part II. Interfacing Musics and Societies.- Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra L?pez).- Chapter 6. Musical Narrative in Representing Hiroshima. A Case Study of Erkki Aaltonen's Second Symphony Hiroshima (1949) (Yumi Notohara).- Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilionien?).- Chapter 8. Where?s the Orchestra?: The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti).- Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis).- Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini).- Part III. Case Study: Polish Contemporary Music.- Chapter 11. Via Crucis and Resurrectio by Pawe??ukaszewski (Renata Borowiecka).- Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka).- Chapter 13. Stanis?aw Moniuszk?sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff).- Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walaci?ski's Oeuvre (Ewa Czachorowska-Zygor).- Chapter 15. Thakurian Chants for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus).- Chapter 16. New Romanticism in Polish Music: Generation 51 - Knapik, Krzanowski, Las? (Kinga Kiw?a).- Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski?s Chamber Music (Ewa W?jtowicz).- Chapter 18.The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).

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Biographie:

Part I. Theoretical Reflections.- Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt).- Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli).- Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankait?).- Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica).- Part II. Interfacing Musics and Societies.- Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra L?pez).- Chapter 6. Musical Narrative in Representing Hiroshima. A Case Study of Erkki Aaltonen's Second Symphony Hiroshima (1949) (Yumi Notohara).- Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilionien?).- Chapter 8. Where?s the Orchestra?: The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti).- Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis).- Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini).- Part III. Case Study: Polish Contemporary Music.- Chapter 11. Via Crucis and Resurrectio by Pawe??ukaszewski (Renata Borowiecka).- Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka).- Chapter 13. Stanis?aw Moniuszk?sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff).- Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walaci?ski's Oeuvre (Ewa Czachorowska-Zygor).- Chapter 15. Thakurian Chants for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus).- Chapter 16. New Romanticism in Polish Music: Generation 51 - Knapik, Krzanowski, Las? (Kinga Kiw?a).- Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski?s Chamber Music (Ewa W?jtowicz).- Chapter 18.The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).

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Sommaire:

Part I. Theoretical Reflections.- Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt).- Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli).- Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankait?).- Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica).- Part II. Interfacing Musics and Societies.- Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra L?pez).- Chapter 6. Musical Narrative in Representing Hiroshima. A Case Study of Erkki Aaltonen's Second Symphony Hiroshima (1949) (Yumi Notohara).- Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilionien?).- Chapter 8. Where?s the Orchestra?: The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti).- Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis).- Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini).- Part III. Case Study: Polish Contemporary Music.- Chapter 11. Via Crucis and Resurrectio by Pawe??ukaszewski (Renata Borowiecka).- Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka).- Chapter 13. Stanis?aw Moniuszko?sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff).- Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walaci?ski's Oeuvre (Ewa Czachorowska-Zygor).- Chapter 15. Thakurian Chants for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus).- Chapter 16. New Romanticism in Polish Music: Generation 51 - Knapik, Krzanowski, Laso? (Kinga Kiw?a).- Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski?s Chamber Music (Ewa W?jtowicz).- Chapter 18.The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).

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