Lethal Theater - Susannah Nevison

. .

Résumé :
Reckons with the rituals of violence that underpin the American prison system, asking readers to consider the act and complications of looking at violence and suffering. In Lethal Theater, Susannah Nevison offers a stark and lyrical reckoning with the hidden architectures of the American prison system. These poems inhabit the charged territory where medicine and punishment converge, revealing how the body becomes both patient and instrument under state control. Moving through histories of wartime confinement, interrogation, and isolation, Nevison writes a poetry of witness to the carceral state, illuminating what is so often kept from view. With precision and moral force, Nevison examines the shadows cast by medical experimentation on imprisoned bodies, the blurred boundary between hospital anesthesia and the drugs used in lethal injection protocols, and the rituals of surveillance that shape life behind bars. This is a work rooted in the medical humanities of confinement, an inquiry into how suffering is recorded, observed, and, at times, rendered invisible. Lethal Theater makes visible the brutal logics beneath state-sanctioned pain and insists on the urgency-and responsibility-of looking closely at what the nation asks its incarcerated to endure....

Biographie:
Susannah Nevison is the author of Lethal Theater, Teratology, and of In the Field Between Us, a collaborative collection with Molly McCully Brown. Her poems and essays have appeared in The New York Times, The Los Angeles Review of Books, Crazyhorse, Pleiades, The National Poetry Review, and elsewhere. A graduate of the University of Southern California, Columbia University, and the University of Utah, she currently lives and teaches in Virginia....

Sommaire:
In her new poetry collection, Lethal Theater, Susannah Nevison reckons with the rituals of violence that underpin the American prison system, both domestically and abroad. Exploring the multiple roles of medicine in incarceration, Nevison's poems expose the psychological and physical pain felt by the prison system's inhabitants. Nevison asks readers to consider the act and complications of looking-at the spectacle of punishment, isolation, and interrogation, as mapped onto incarcerated bodies-by those who participate in and enforce dangerous prison practices, those who benefit from the exploitation of incarcerated bodies, and those who bear witness to suffering. Unfolding in three sections, Nevison's poems fluidly move among themes of isolation and violence in prisons during period of war, the history of medical experimentation on domestic prisoners, and the intersection between anesthesia used in hospital settings and anesthesia used in cases of lethal injection. Lethal Theater is an attempt to articulate and make visible a grotesque and overlooked part of American pain....