Tonal Harmony - Kostka, Stefan

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Résumé :
Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4: Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5: Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7: Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads in Second InversionChapter 10: Cadences, Phrases, Periods, and SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones 1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14: The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV: ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19: Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V: Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22: Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter 25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27: Post-Tonal Theory...

Biographie:
Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4: Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5: Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7: Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads in Second InversionChapter 10: Cadences, Phrases, Periods, and SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones 1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14: The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV: ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19: Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V: Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22: Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter 25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27: Post-Tonal Theory...

Sommaire:
Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4: Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5: Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7: Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads in Second InversionChapter 10: Cadences, Phrases, Periods, and SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones 1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14: The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV: ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19: Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V: Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22: Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter 25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27: Post-Tonal Theory...