Polite Occasions - Babson, Anne

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Résumé :
Polite Occasions writes back both to Revelation and Emily Post because it imagines the future is female, that she is a lady, and if the human race Is to survive what evangelical Christians call end times, it will be because ladies have decided to make unladylike plans. This collection is largely set in a dystopian near-future world where political structures have become authoritarian and many feel spiritually adrift, all while most people pretend not to notice. It examines the ways in which silence renders people complicit with oppression in all its forms. It earnestly explores faith through doubt and disappointment. It might even be called a Christian poetry collection, though it is surely one that some right-wing Christians would like to burn. It is an unapologetically feminist work as well, one that understands that the oppression of women often gets enacted in the name of false gods. The poems of this collection speak their exhortations to the reader in both formal and free verse in a high vernacular that considers contemporary life in reference to much older texts. Some of the works of this collection have won prizes, and many have been published in journals in North America, Europe, and Asia. The collection stands as a warning to both the faithful and faithless that we live in an era where we might fall under an Orwellian regime infused with religious language and that democracy might fall while we take selfies....

Biographie:
Anne Babson's first collection The White Trash Pantheon won the Colby H. Kullman prize from the Southern Writers Southern Writing Conference in Oxford, Mississippi. Her second collection, Polite Occasions, was published by Unsolicited Press, and her third collection, Messiah, was published by Saint Julian Press. She wrote the libretto for the opera Lotus Lives, which has been performed in New York, Boston, and Montreal, and it is set to be released to video in coming months. She is the author of four chapbooks- Uppity Poems, Dictation, Poems Under Surveillance, and Dolly Shot. She has been anthologized in the United States and in England, most recently in the notable collection Nasty Women Poets: an Unapologetic Anthology of Subversive Verse released in 2017. Her work has appeared in literary journals on five continents and has won numerous editorial awards. Her play about gun culture in the South, Reenactment, was published in 2019. She has been nominated for the Pushcart Prize four times. She has received residency grants from Yaddo and Vermont Studio Center. She writes lyrics for a variety of musical projects, most recently a blues album. She teaches writing and literature at Southeastern Louisiana University. She is the president of the Women's National Book Association of New Orleans.