The Armory Show at 100: Modernism and Revolution - Kushner, Marilyn S.

Authors
Marilyn Satin Kushner is Curator and Head, Department of Prints, Photographs, and Architectural Collections at the New-York Historical Society; Kimberly Orcutt is the Curator of American Art at the New-York Historical Society; Casey Nelson Blake is Professor of History and American Studies at Columbia University.

Contributors
William C. Agee, Professor of Art History, Hunter College, City University of New York; Judith A. Barter, Field-McCormick Chair and Curator of American Art, The Art Institute of Chicago; Avis Berman, Writer and independent art historian; Daniel H. Borus, Professor of History, University of Rochester, New York; Leon Botstein, President, Bard College; Music Director, American Symphony Orchestra; Conductor Laureate, Jerusalem Symphony Orchestra; and Editor, The Musical Quarterly; Sarah Burns, Professor Emerita, Department of History of Art, Indiana University, Bloomington; Barbara Haskell, Curator of Early Twentieth Century Art, Whitney Museum of American Art, New York; Susan Hegeman, Associate Professor of English, University of Florida, Gainesville; Susan G. Larkin, Independent art historian and curator; Do?na Lemny, Assistant Curator of Modern Collections, National Museum of Modern Art, Centre Pompidou, Paris; Laurette E. McCarthy, Independent scholar and curator; Anne McCauley, Professor of the History of Photography and Modern Art, Princeton University, New Jersey; Virginia M. Mecklenburg, Senior Curator, Smithsonian American Art Museum, Washington DC; Charles Musser, Professor of Film Studies and American Studies, Yale University, New Haven, Connecticut;Francis M. Naumann, Francis M. Naumann Fine Art, LLC, New York; Roberta J. M. Olson, Curator of Drawings, New-York Historical Society; Didier Ottinger, Deputy Director, National Museum of Modern Art, Centre Pompidou, Paris; Max Page, Professor of Architecture and History, University of Massachusetts in Amherst; Aim?e Brown Price, Independent art historian and curator; Gail Stavitsky, Chief Curator, Montclair Art Museum, New Jersey; Michael R. Taylor, Director, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Martha Tedeschi, Deputy Director for Art and Research, The Art Institute of Chicago; Carol Troyen, Curator Emerita of American Paintings, Museum of Fine Arts, Boston.

PRESIDENT'S FOREWORD
CURATORS' STATEMENT AND ACKNOWLEDGMENTS

MARILYN SATIN KUSHNER A Century of the Armory Show:Modernism and Myth

Organizers of the Armory Show
KIMBERLY ORCUTT Arthur B. Davies-Hero or Villain?
GAIL STAVITSKY Walt Kuhn: Armory Showman
LAURETTE E. McCARTHY Walter Pach: Agent of Modernism
SUSAN G. LARKIN So many thrills, so much excitement: ElmerMacRae's Role in the Armory Show

New York and the United States ca. 1913
CASEY NELSON BLAKE Greenwich Village Modernism: The Essence of It AllWas Communication
MAX PAGE The Armory Show in the Provisional City
DANIEL H. BORUS The Armory Show and the Transformation of American Culture
LEON BOTSTEIN Echoes of the Armory Show:Modern Music in New York
ANNE McCAULEY The Big Show and the Little Galleries: Alfred Stieglitz and the Search for Modern Art Photography in 1913
SUSAN HEGEMAN A Wordminded People Encounters the Armory Show
CHARLES MUSSER 1913: A Feminist Moment in the Arts

The Exhibition

EUROPEAN ART
DIDIER OTTINGER Off to the Armory Show!
Case Studies
FRANCIS M. NAUMANN An Explosion in a Shingle Factory:Marcel Duchamp's Nude Descending a Staircase(No.2)
MICHAEL R. TAYLOR The Cuban who Outcubed the Cubists:Francis Picabia and the 1913 Armory Show
WILLIAM C. AGEE Henri Matisse at the Armory Show-and Beyond
DO?NA LEMNY Brancusi's Busts:Work in Progress
AIM?E BROWN PRICE Puvis de Chavannes, Pioneer and Paragon of Modernism

AMERICAN ART
VIRGINIA M. MECKLENBURG Slouching toward Modernism: American Art at the Armory Show
Case Studies
KIMBERLY ORCUTT Robert Henri's Manifesto
MARTHA TEDESCHI A Pre-Emptive Strike: John Marin and the Armory Show
MARILYN SATIN KUSHNER Morgan Russell: A Barbarian or American Avant-Garde in Paris?
WILLIAM C. AGEE Morton Livingston Schamberg: A Short Life, a Major Achievement

WORKS ON PAPER
ROBERTA J. M. OLSON Drawings at the Armory: The Currency of Change and Modernism
MARILYN SATIN KUSHNER Revisiting Editions: Prints in the Armory Show

Responses
KIMBERLY ORCUTT Public Verdict: Debating Modernism at the Armory Show
SARAH BURNS Cubist Comedy and Futurist Follies: The Visual Culture of the Armory Show

Traveling Venues
JUDITH A. BARTER The Great Confusion: The Armory Show in Chicago
CAROL TROYEN Unwept, unhonored, and unsung: The Armory Show in Boston

Legacy
BARBARA HASKELL The Legacy of the Armory Show: Fiasco or Transformation?
AVIS BERMAN Creating a New Epoch: American Collectors and Dealers and the Armory Show

SELECTED BIBLIOGRAPHY
APPENDIX A The Complete 1913 Armory Show Checklist
APPENDIX B List ofWorks in the 1913 Armory Show by Gallery
NOTES
INDEX