Personnaliser

OK

Art and Objects - Harman, Graham

Note : 0

0 avis
  • Soyez le premier à donner un avis

Vous en avez un à vendre ?

Vendez-le-vôtre
Filtrer par :
Neuf (4)
Occasion
Reconditionné

26,54 €

Produit Neuf

  • Livraison à 0,01 €
Voir les modes de livraison

rarewaves-uk

PRO Vendeur favori

4,8/5 sur + de 1 000 ventes

Expédition rapide et soignée depuis l`Angleterre - Délai de livraison: entre 10 et 20 jours ouvrés.

Nos autres offres

  • 30,82 €

    Produit Neuf

    Ou 7,71 € /mois

    • Livraison à 0,01 €
    • Livré entre le 23 et le 29 avril
    Voir les modes de livraison

    Brand new, In English, Fast shipping from London, UK; Tout neuf, en anglais, expédition rapide depuis Londres, Royaume-Uni;ria9781509512683_dbm

  • 28,36 €

    Produit Neuf

    • Livraison : 3,99 €
    • Livré entre le 23 et le 27 avril
    Voir les modes de livraison
    4,8/5 sur + de 1 000 ventes
  • 39,75 €

    Produit Neuf

    Ou 9,94 € /mois

    • Livraison : 5,00 €
    • Livré entre le 23 et le 27 avril
    Voir les modes de livraison

    Exp¿di¿ en 7 jours ouvr¿s

Publicité
 
Vous avez choisi le retrait chez le vendeur à
  • Payez directement sur Rakuten (CB, PayPal, 4xCB...)
  • Récupérez le produit directement chez le vendeur
  • Rakuten vous rembourse en cas de problème

Gratuit et sans engagement

Félicitations !

Nous sommes heureux de vous compter parmi nos membres du Club Rakuten !

En savoir plus

Retour

Horaires

      Note :


      Avis sur Art And Objects Format Broché  - Livre Philosophie

      Note : 0 0 avis sur Art And Objects Format Broché  - Livre Philosophie

      Les avis publiés font l'objet d'un contrôle automatisé de Rakuten.


      Présentation Art And Objects Format Broché

       - Livre Philosophie

      Livre Philosophie - Harman, Graham - 01/12/2019 - Broché - Langue : Anglais

      . .

    • Auteur(s) : Harman, Graham
    • Editeur : Polity Press
    • Langue : Anglais
    • Parution : 01/12/2019
    • Format : Moyen, de 350g à 1kg
    • Nombre de pages : 240
    • Expédition : 332
    • Dimensions : 22.8 x 15.1 x 2.0
    • ISBN : 9781509512683



    • Résumé :
      In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled to communicate indirectly, allusively, or elliptically, rather than in the clear propositional terms that are often taken - wrongly - to be the sole stuff of genuine philosophy. Conceiving of philosophy and art in this way allows us to reread key debates in aesthetic theory and to view art history in a different way. The formalist criticism of Greenberg and Fried is rejected for its refusal to embrace the innate theatricality and deep multiplicity of every artwork. This has consequences for art criticism, making pictorial content more important than formalism thinks but less entwined with the social sphere than anti-formalism holds. It has consequences for art history too, as the surrealists, David, and Poussin, among others, gain in importance. The close link between aesthetics and ontology also invites a new periodization of modern philosophy as a whole, and the habitual turn away from Kant's thing-in-itself towards an increase in philosophical immanence is shown to be a false dawn. This major work will be of great interest to students and scholars of philosophy, aesthetics, art history and cultural theory....

      Biographie:

      Graham Harman is Distinguished Professor of Philosophy at the Southern California Institute of Architecture.

      ...

      Sommaire:
      In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled to communicate indirectly, allusively, or elliptically, rather than in the clear propositional terms that are often taken - wrongly - to be the sole stuff of genuine philosophy. Conceiving of philosophy and art in this way allows us to reread key debates in aesthetic theory and to view art history in a different way. The formalist criticism of Greenberg and Fried is rejected for its refusal to embrace the innate theatricality and deep multiplicity of every artwork. This has consequences for art criticism, making pictorial content more important than formalism thinks but less entwined with the social sphere than anti-formalism holds. It has consequences for art history too, as the surrealists, David, and Poussin, among others, gain in importance. The close link between aesthetics and ontology also invites a new periodization of modern philosophy as a whole, and the habitual turn away from Kant's thing-in-itself towards an increase in philosophical immanence is shown to be a false dawn. This major work will be of great interest to students and scholars of philosophy, aesthetics, art history and cultural theory....

      Détails de conformité du produit

      Consulter les détails de conformité de ce produit (

      Personne responsable dans l'UE

      )
      Le choixNeuf et occasion
      Minimum5% remboursés
      La sécuritéSatisfait ou remboursé
      Le service clientsÀ votre écoute
      LinkedinFacebookTwitterInstagramYoutubePinterestTiktok
      visavisa
      mastercardmastercard
      klarnaklarna
      paypalpaypal
      floafloa
      americanexpressamericanexpress
      Rakuten Logo
      • Rakuten Kobo
      • Rakuten TV
      • Rakuten Viber
      • Rakuten Viki
      • Plus de services
      • À propos de Rakuten
      Rakuten.com