Djamel Tatah - Collection Lambert, Avignon -

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Résumé :
Après des études à l'école des beaux-arts de Saint-Etienne, Djamel Tatah s'engage totalement dans l'expérience picturale. Dès la fin des années 1980, il opte pour de grands formats et des polyptyques aux fonds monochromes sur lesquels apparaissent des figures humaines à taille réelle. Grâce aux prêts d'oeuvres majeures issues du célèbre cabinet de dessins de l'Ecole nationale supérieure des beaux-arts de Paris (Poussin, Géricault, Delacroix, Carpeaux...), de la Donation Yvon Lambert à l'Etat français (Robert Mangold, Brice Marden, Robert Ryman, Robert Barry, Richard Serra...) et de sa collection personnelle (Ariane endormie, dessins d'Henri Matisse...), c'est un dialogue unique auquel est convié le lecteur, où toutes ces oeuvres font écho au monde d'aujourd'hui et aux tragédies de notre histoire sur l'autre rive de la Méditerranée. Elles évoquent les réfugiés de Syrie, les migrants de Libye ou de Somalie, et les destructions du marché d'Alep ou des temples gréco-romains de Palmyre.

Sommaire:
A unique look at the works of Djamel Tatah and those of the minimalist artists in the Lambert Collection.

Djamel Tatah's refined paintings reveal the way in which humanity can assert itself as a presence in the world. From reality, ordinary life and world events, the artist paints life-size figures which seem to be suspended in time, set in unspecified places and caught up in a world of silence. Reinterpreting solitude as virtue, Tatah intends to surpass reality, experimenting with colour, light and line to explore his feelings of being part of the world.

This catalogue creates a dialogue between the collection's minimalist artists such as Robert Barry, Robert Ryman, Robert Mangold, Richard Serra, Sol LeWitt and Brice Marden, among others, and Tatah's sober refined life-size figures, which somehow seem suspended in time and detached from the world. The artist draws inspiration from everyday situations or major news events to create a metaphysical representation of contemporary man. While Djamel Tatah's work shows a clear relationship with modernist and contemporary monochrome painting, it is also part of a more classical tradition. Hence, the Paris School of Fine Art (ENSBA), where has taught since 2008, has loaned over fifty works from its own illustration collection, works by Delacroix, Matisse, Corneille de Lyon, Cimabue, Giotto, Piero della Francesca, and more, with a view to broadening the dialogue with Djamel Tatah's work over time.

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