Being Human - William A. Ewing

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Résumé :
All artists have a muse. Movie directors perfect their craft working again and again with the same actor, while choreographers find inspiration for some of their greatest works when creating for a particular dancer. Sometimes a muse is a silent partner, the object of an artist's intense and obsessive gaze. At other times the relationship is a kind of performance, a deeply collaborative act. For William Wegman, whose muses have been all of these things and more over the years, inspiration arrived in 1970 when his dog, a Weimaraner named Man Ray, appeared in front of his camera. William Wegman is a world-renowned American artist whose paintings, photographs, videos and drawings have been exhibited in museums and galleries internationally. Today he is perhaps best known for his collaborations with his longstanding muses, an ever-expanding cast of Weimaraners, for whom performing elaborate scenarios or merely posing demurely for their portraits comes as second nature. Curated in close collaboration with distinguished photography author William A. Ewing, William Wegman : Being Human is the most extensive collection of Wegman's photographic work yet to be published. With over 300 images made over the last four decades, many published here for the first time, Being Human will delight and engage both those who are new to Wegman's work and those who have admired his art for many years.

Biographie:
William Wegman is best known for his collaborations with his Weimaraners but it was as a key figure in 1970s West Coast Conceptual art and a pioneer in the developing medium of video art that he was first recognized. It was in Los Angeles in 1970 that he began working with his dog Man Ray, and he has continued to collaborate with his ever-expanding cast of Weimaraners since that time. The author of numerous books for adults and over a dozen books for children, Wegman's work has been exhibited in museums and galleries internationally, including retrospective exhibitions at the Pompidou Center in Paris, the Walker Art Center in Minneapolis and the Whitney Museum of American Art in New York. William A. Ewing has been an author, lecturer, curator of photography and museum director for more than 40 years. Director of the Musée de l'Elysée in Lausanne from 1996 to 2010, his many publications on photography include The Body (1994), Arnold Newman : Masterclass (2012), Landmark (2014), Lois Greenfield : Moving Still (2015) and Edward Burtynsky : Essential Elements (2016), all published by Thames & Hudson.