Arcadia - Sidney, Philip

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Résumé :
Sidney's Renaissance romance offers a surprisingly astute analysis of statesmanship and erotic passion. King Basilius misinterprets an oracle and retreats to a country house. There he pursues a cross-dressed Amazon whom his wife also desires. Musidorus and Pyrocles in disguise woo the royal princesses Pamela and Philoclea, recounting their attempts to bring justice and stability to foreign countries. The king's envious sister-in-law stirs up dissensions and adds to the misery of her love-sick son. Sidney himself was a courtier and close observer of Queen Elizabeth I. His father was three times governor of Ireland. Readers will find his fable of power, love, and civic unrest both entertaining and timely. Ross and Davis have undertaken a daring venture: to restore, as they put it, the immense masterpiece of English Renaissance prose, Sidney's Arcadia. Why, one might ask, should Sidney's baroque syntax be made simpler and his archaic diction modernized? Because their complexity and unfamiliarity, after the lapse of some 400 years, has made the work all but unreadable, except by a small and steadily shrinking cohort of scholars. The choice is either pious oblivion or the kind of creative updating we routinely welcome in contemporary productions of Shakespeare. Ross and Davis want to give a new generation of readers access to a literary achievement of surpassing intelligence and beauty. --Stephen Greenblatt, Cogan Professor of English, Harvard University Sir Philip Sidney's Arcadia perfectly defines what we think of as the English Renaissance. By the sheer quality of its achievement, it created the illusion of separating traditional rhetoric from literature or polite letters. Emerging out of the small coterie around Sidney's sister Mary, the countess of Pembroke, Sidney's oeuvre reached Shakespeare, who took to new heights the oratory exhibited by the Arcadia's characters in their speeches, debates, and poetry. Sidney's masterpiece richly deserves the renewed attention of everyone interested in the history of English moral philosophy and the language arts. --Krista Ratcliffe, Past President, Rhetoric Society of America, Arizona State University Most of us don't think of singing Renaissance shepherds as a source of political understanding. But statesmanship is exactly what we find in Sidney's Arcadia. It is one reason, along with Sidney's use of humor and suspense, that this compelling story was the most popular work of English narrative prose for over two hundred years. Modern-day public servants might benefit as Shakespeare did in borrowing widely from Arcadia's lessons on virtue, popular rebellion and the perils of misrule. --Mitchell E. Daniels, Jr., President of Purdue University and Former Governor of Indiana Sir Philip Sidney was an English poet, courtier, scholar, and soldier. He is remembered as one of the most prominent figures of the Elizabethan age.

Biographie:
Charles Ross, a graduate of Harvard College and a former Fulbright-Hays Scholar in Italy, is Professor of English and Director of the Comparative Literature Program at Purdue University. He studied Sidney at the University of Chicago with Professor William A. Ringler, Jr. His books include the first English translation of Matteo Maria Boiardo's romance Orlando Innamorato and a verse translation of L. Paninius Statius's Thebaid. He is the author of The Custom of the Castle from Malory to Macbeth as well as Elizabethan Literature and the Law of Fraudulent Conveyance: Sidney, Spenser, Shakespeare. His editorial work includes two volumes of the California Lectura Dantis, a collection titled Shakespeare in Hollywood, Asia, and Cyberspace, and two Modern Fiction Studies special issues, one on Vladimir Nabokov, the other titled Twentieth- and Twenty-First Century Chinese Fiction. In 2016 he served as chair of Modern Language Association's selection committee for the Scaglione Prize for a Translation of Literary Work.