Low End Theory - Jasen, Paul C.
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Présentation Low End Theory Format Broché
- Livre Beaux arts
Résumé : Acknowledgments
Introduction: Elements of a Myth-Science
1. The Sonic Body: An Ethico-Acoustic Toolkit
Sonorous Relations
Tales and Strategies
Myth-Science in the Vibratory Milieu
2. Spectral Catalysis: Disquieting Encounters
Spectres of the Manmade Unknown
Infrasound
Unhomed
Boo! (toward an operative reality)
The Hum
'And it was only by analogy that it could be called a sound at all...'
Blinkered Science
We still do not know what a sonic body can do...
3. Numinous Strategies
Learning to Play the Sonic Body
The Nervous Piano
Numinous Instruments
Religious Audiogenesis
Numinous Sound Design
Playing the Resonances
Tellurian Organs
The Organ-Church Assemblage
The Arcanum: An Ambulant Myth-Science
The Nervous Organ
Baroque Affect Engineering
The Gothic Assemblage: Applied Synaesthetics
4. Tone Scientists I: Vibratory Arts
Cymatic Arts
Documentary Practices
A Speculative Turn
Perceptual Abstraction
Transversal Strategies
Incipient Dance
Sonic Architectures
Dance With the Speaker
'A people of oscillators'
5. Tone Scientists II: Bass Cults
The Lab
The Science
Bass Science
Dubplates and Mastering
Engineering the Vibratorium
Affects and Affectations
Entering the Rhythmachine
Three Physio-Logics
Jungle (1994)
Dubstep (2005)
Footwork (2009)
Conclusion: Where next?
Endnotes
Bibliography
Index
Biographie:
Paul Jasen is a Lecturer in Music and Communication Studies at Carleton University, Canada. His current research combines interests in sonic culture, non-human agencies and Sun Ra....
Sommaire:
Low End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture. The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle...
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