Marcellus, N: Conpendiosa Doctrina I-III -
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Présentation Marcellus, N: Conpendiosa Doctrina I - Iii Format Broché
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Excerpt from De Conpendiosa Doctrina I-III: Edited With Introduction And Critical Apparatus Mr. Onions' text differs from its predecessors in three points; first, in its olose adherence to the manusoripts1 second, in being based on a personal collat?on of all the older mss. Known to exist last, end most important of in its use of What is practically a. New ms. And one of. The highest value, I mean the corrections in the Florence codex, Which are indicated in the orit?oal notes by the s?gn One point in Which he differs from the last editor should be noticed. While Prof. Mueller aimed at presenting Nonius' quotations in their original form, the form in Which We may suppose the author to have written them, Mr. Onions seeks only to print the l?ne as Nonius quoted ?t. Often the new arrangement of words transposed by Nonius in a poetioal quotation would restore the metre of the line, but in such a case Mr. Onions has preferred, rightly, as I think, to leave the line as Nonius wrote it, end to indicate its faulty rhythm by the omission of the metrical marks (eg. I M. IO 3 M. The references in quotations from Plautus are to the new Ritsohl edition, in quotations from the Tragic and Comic fragments to R?bbeok's second edition, in quotations from Varro's Menippean Satires to the edition by Buecheler. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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