Race and the Revolutionary Impulse in the Spook Who Sat by the Door -
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Présentation Race And The Revolutionary Impulse In The Spook Who Sat By The Door Format Relié
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Résumé : Acknowledgements
Introduction: The Spook Who Sat by the Door / Michael T. Martin and David C. Wall
1. Writer/Producer's Statement: The Making of The Spook Who Sat by the Door / Sam Greenlee
2. [D]uality is a survival tool. It's not a disease: Interview with Sam Greenlee on The Spook Who Sat By the Door / Michael T. Martin and David C. Wall
3. Cinema as Political Activism: Contemporary Meanings in The Spook Who Sat by the Door / Marilyn Yaquinto
4. Persistently Displaced: Situated Knowledges and Interrelated Histories in The Spook Who Sat by the Door / Samantha N. Sheppard
5. Subverting the System: The Politics and Production of The Spook Who Sat By the Door / Christine Acham
6. The Spook Who Sat By the Door, Screenplay / Sam Greenlee and Melvin Clay
Appendix A: Press Kit
Appendix B: National Film Registry Entry, The Spook Who Sat by the Door / Michael T. Martin and David C. Wall
Appendix C: Sam Greenlee: Biography and Select Bibliography
Appendix D: Ivan Dixon: Biography and Select Filmography
Index
Biographie: Michael T. Martin is Director of the Black Film Center/Archive and Professor of Cinema and Media Studies in the Media School at Indiana University, Bloomington. He is the editor or co-editor of six anthologies, including Redress for Historical Injustices in the United States: Slavery, Jim Grow, and Their Legacies...
Sommaire: Michael T. Martin is Director of the Black Film Center/Archive and Professor of Cinema and Media Studies in the Media School at Indiana University, Bloomington. He is the editor or co-editor of six anthologies, including Redress for Historical Injustices in the United States: Slavery, Jim Grow, and Their Legacies...
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