Silent and Forgotten - Kinevane, Pat

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Résumé :
Silent is the touching and provocative story of homeless McGoldrig who once had splendid things. But he has lost it all - including his mind. He now dives into the wonderful wounds of his past through the romantic world of Rudolph Valentino. Silent has been described as 'a moving story, which, until its end, pulses with the erratic noise of life' (Irish Times), 'a must see if ever there was one' (The List), and as 'magnificent, remarkable' (Irish Independent). By the same writer, Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Both challengingly dark and startlingly hilarious, Forgotten is 'an unequivocally beautiful piece' (Scotsman), 'beautifully written and vivid' (New Yorker), conveying 'the secrets, the hidden past, of the aged, and the dignity often behind their quaint seemingly innocuous bearing' (New York Times). Forgotten was produced by Fishamble: The New Play Company at over sixty Irish venues, in eight European countries, and in three US cities between 2007 and 2012. Silent was originally produced in 2011, also by Fishamble, winning the Scotsman Fringe First and the Herald Angel awards at the Edinburgh Fringe Festival, and the Argus Angel at the Brighton Festival 2012, as well as touring Ireland, Paris, Edinburgh, Los Angeles and New York. 'Kinevane has an extremely acute, innate and intuitive sense of comedy that enable him to tightrope across the gross and heartbreaking circumstances of life, in jest without sacrificing the poignant sadness of a given predicament' Irish Theatre Magazine...

Biographie:
Pat Kinevane is a native of Cobh, Co. Cork. He has worked as an actor in theatre, film, television and radio for 22 years. As a writer he completed his first full length play The Nun's Wood in 1997 which won a BBC Stewart Parker Trust Award and was produced by Fishamble. Fishamble then produced his second play The Plains of Enna (Dublin Theatre Festival '99). Pat wrote The Death of Herod for Mysteries 2000 at the SFX. In 2008 his piece Evangeline Elsewhere premiered in New York in the First Irish Festival. Pat toured his solo piece Forgotten in 2012. (Irish Times Theatre Award Nominee 08). He has performed Forgotten extensively throughout Ireland and in Paris, Prague, Romania, Turkey, Bulgaria, Edinburgh, Liverpool, Iceland, Washington, Boston and New York since 2008....

Sommaire:
Silent is the touching and provocative story of homeless McGoldrig who once had splendid things. But he has lost it all - including his mind. He now dives into the wonderful wounds of his past through the romantic world of Rudolph Valentino. Silent has been described as 'a moving story, which, until its end, pulses with the erratic noise of life' (Irish Times), 'a must see if ever there was one' (The List), and as 'magnificent, remarkable' (Irish Independent). By the same writer, Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Both challengingly dark and startlingly hilarious, Forgotten is 'an unequivocally beautiful piece' (Scotsman), 'beautifully written and vivid' (New Yorker), conveying 'the secrets, the hidden past, of the aged, and the dignity often behind their quaint seemingly innocuous bearing' (New York Times). Forgotten was produced by Fishamble: The New Play Company at over sixty Irish venues, in eight European countries, and in three US cities between 2007 and 2012. Silent was originally produced in 2011, also by Fishamble, winning the Scotsman Fringe First and the Herald Angel awards at the Edinburgh Fringe Festival, and the Argus Angel at the Brighton Festival 2012, as well as touring Ireland, Paris, Edinburgh, Los Angeles and New York. 'Kinevane has an extremely acute, innate and intuitive sense of comedy that enable him to tightrope across the gross and heartbreaking circumstances of life, in jest without sacrificing the poignant sadness of a given predicament' Irish Theatre Magazine...