Editing Digital Film - Jaime Fowler
- Format: Relié Voir le descriptif
Vous en avez un à vendre ?
Vendez-le-vôtreSoyez informé(e) par e-mail dès l'arrivée de cet article
Créer une alerte prix- Payez directement sur Rakuten (CB, PayPal, 4xCB...)
- Récupérez le produit directement chez le vendeur
- Rakuten vous rembourse en cas de problème
Gratuit et sans engagement
Félicitations !
Nous sommes heureux de vous compter parmi nos membres du Club Rakuten !
TROUVER UN MAGASIN
Retour
Avis sur Editing Digital Film de Jaime Fowler Format Relié - Livre Littérature Générale
0 avis sur Editing Digital Film de Jaime Fowler Format Relié - Livre Littérature Générale
Les avis publiés font l'objet d'un contrôle automatisé de Rakuten.
Présentation Editing Digital Film de Jaime Fowler Format Relié
- Livre Littérature Générale
Résumé :
Film Post Production Methods, Tools of the Filmmaker, Transfer Prep Methods, Telecine Demystified, Getting It, 24fps editing for NTSC (Avid), 24 fps editing for PAL (Avid), Chapter Eight: Matchback Film Editing for NTSC, Chapter Nine: Matchback Editing for PAL, Cutting DV, Conforming DV to Film, HDTV, 24P and the Future, appendices, Glossary of Film Terms, Film Footage, Conversion Charts, Footage Digitizing Ratios, Bibliography...
Biographie:
Jaime Fowler is the director and creator of Film CampTM (www.filmcamp.com), a controversial learning program where supervised student editors complete low-budget independent feature films. He has been a film and video editor for over 20 years. As a freelance editor, he edited trailers/promotionals for Warner Brothers, Tri-Star, and Lightstorm. He has completed documentaries for director James Cameron, including Under Pressure: The Making of the Abyss, The Making of T2, and edited several seasons of Jeopardy! for Merv Griffin/Sony. The editor for seven Emmy-winning television programs and one of the developers of Avid's Emmy-winning Multicam?, Jaime is a well-experienced editor who has served as an editing consultant for over 30 national sitcoms, several major motion pictures, and the Sundance Filmmakers Lab.
Sommaire: Film Post Production Methods, Tools of the Filmmaker, Transfer Prep Methods, Telecine Demystified, Getting It, 24fps editing for NTSC (Avid), 24 fps editing for PAL (Avid), Chapter Eight: Matchback Film Editing for NTSC, Chapter Nine: Matchback Editing for PAL, Cutting DV, Conforming DV to Film, HDTV, 24P and the Future, appendices, Glossary of Film Terms, Film Footage, Conversion Charts, Footage Digitizing Ratios, Bibliography