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Recording Studio Design - Newell, Philip

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    Brand new, In English, Fast shipping from London, UK; Tout neuf, en anglais, expédition rapide depuis Londres, Royaume-Uni;ria9781138936065_dbm

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        Présentation Recording Studio Design Format Relié

         - Livre Technologie

        Livre Technologie - Newell, Philip - 01/02/2017 - Relié - Langue : Anglais

        . .

      • Auteur(s) : Newell, Philip
      • Editeur : Routledge
      • Langue : Anglais
      • Parution : 01/02/2017
      • Format : Moyen, de 350g à 1kg
      • Nombre de pages : 882
      • Expédition : 1969
      • Dimensions : 26.0 x 20.8 x 5.1
      • ISBN : 1138936065



      • Résumé :

        Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using the straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration. Author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions.

        Biographie:

        Philip Newell is an international consultant on acoustic design and the former technical director of Virgin Records. He is a Fellow of the Institute of Acoustics and a Member of both the Audio Engineering Society and the Society of Motion Picture and Television Engineers. He is also the author of a large number of publications, including eight books for Focal Press, and has been involved in the design of many hundreds of studios for music, cinema and television, as well as live performance venues.

        Sommaire:

        About the Author

        Acknowledgements

        Preface

        Introduction

        Chapter 1: General Requirements and Common Errors

        Chapter 2: Sound, Decibels, and Hearing

        Chapter 3: Sound Isolation

        Chapter 4: Room Acoustics and Means of Control

        Chapter 5: Designing Neutral Rooms

        Chapter 6: Rooms with Characteristic Acoustics

        Chapter 7: Variable Acoustics

        Chapter 8: Room Combinations and Operational Considerations

        Chapter 9: The Studio Environment

        Chapter 10: Limitations to Design Predictions

        Chapter 11: Loudspeakers in Rooms

        Chapter 12: Flattening the Room Response

        Chapter 13: Control Rooms

        Chapter 14: The Behaviour of Multiple Loudspeakers in Rooms

        Chapter 15: Studio Monitoring: The Principal Objectives

        Chapter 16: The Non-Environment Control Room

        Chapter 17: The Live-End, Dead-End Approach

        Chapter 18: Response Disturbances Due to Mixing Consoles and Studio Furniture

        Chapter 19: Objective Measurement and Subjective Evaluations

        Chapter 20: Studio Monitoring Systems

        Chapter 21: Surround Sound and Multi-Channel Control Rooms

        Chapter 22: Dubbing Theatres and Cinema Sound

        Chapter 23: A Mobile Control Room

        Chapter 24: Foldback

        Chapter 25: Main Supplies and Earthing Systems

        Chapter 26: Analogue Audio Interfacing

        Chapter 27: A Pictorial Representation of a Studio Construction

        Chapter 28 Human Factors

        Appendix 1

        Appendix 2

        Glossary of Terms

        Conversion Tables

        Index

        Détails de conformité du produit

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