Sustaining Landscapes - Gerui Wang

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Résumé :
Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960-1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of sustainability in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to address contemporary challenges, ranging from environmental crisis to global governance....

Biographie:
Gerui Wang is an assistant professor of art history in the Department of Digital Arts and Creative Industries at Lingnan University, Hong Kong. She previously taught at Stanford University and the University of California, Santa Cruz, and has published in the Journal of Chinese History and Asiascape: Digital Asia. Her research briefs on art, media, and technology appear in venues such as Australia National University's The China Story Project, South China Morning Post, and Forbes, and have been translated into French, Chinese, and Japanese....

Sommaire:
Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960-1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of sustainability in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to address contemporary challenges, ranging from environmental crisis to global governance....