Preparing to Bite - Roberts, Keiler

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Résumé :
Keiler Roberts makes autobiographical comics. She is the recipient of the Cartoonist Studio Prize and the Ignatz Award. She has taught comics at The School of The Art Institute in Chicago. Early in her career, Roberts self-published Powdered Milk, Happy Happy Baby Baby, and Miseryland. Koyama Press published Chlorine Gardens, Rat Time, and Sunburning which was translated into Spanish as Isolada. The Joy of Quitting is her second book for Drawn & Quarterly, following My Begging Chart which was translated into Spanish as Mi Tabla De S?plicas....

Biographie:
Keiler Roberts makes autobiographical comics. She is the recipient of the Cartoonist Studio Prize and the Ignatz Award. She has taught comics at The School of The Art Institute in Chicago. Early in her career, Roberts self-published Powdered Milk, Happy Happy Baby Baby, and Miseryland. Koyama Press published Chlorine Gardens, Rat Time, and Sunburning which was translated into Spanish as Isolada. The Joy of Quitting is her second book for Drawn & Quarterly, following My Begging Chart which was translated into Spanish as Mi Tabla De S?plicas....

Sommaire:
Achingly human auto-bio comics that extract big laughs from the small moments

Cartoonist Keiler Roberts quit making comics. Or did she?

Preparing to Bite, her latest collection of all-new, one-page comics is a return to perfectform. Roberts skewers innocuous aspects of everyday life and dissects them for theirunique absurdity: from cooking meals, to keeping doctors' appointments, to owning pets,and even navigating now-inescapable zoom calls. These vignettes portray a woman inmiddle-age grappling with the realities of being a mother, a wife, a friend, a daughter, andlastly (perhaps even least of all), a practicing artist-all while dealing with the long-termeffects of a debilitating disease.

From page to page, Roberts jumps from moment to moment, expertly using the comicsform as nobody else can while showing off what it can do that no other form can. Preparingto Bite captures the transient gestures of life in the modern age, both mundane and inane.
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