Modeling Musical Analysis -

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Editeur : Oxford University Press

Langue : Anglais

Parution : 01/01/2025

Format : Moyen, de 350g à 1kg

Nombre de pages : 360.0

Dimensions : 23.5 x 15.6 x 2.2

ISBN : 9780197678480

Résumé :

• Tala as Phrase Meter


• Somangshu Mukherji


• Prolongation in Turkish Classical Music


• Adem Merter Birson


• The Role of A-flat in Beethoven's Funeral March from the Eroica Symphony


• Jan Miyake


• Locating the Sonata in Fanny Hensel's Sonata o Fantasia


• Catrina Kim


• A Blueprint for Dancers: the Fiery and Unforgettable Measures of Rosendo Mendiz?bal's El Entrerriano


• John Turci-Escobar


• Comparing the Choreomusical Styles of Marius Petipa and George Balanchine in the Berceuse of Harlequinade


• Kara Yoo Leaman


• Analyzing Verismo Opera: Vissi d'arte (I lived on art) from Puccini's Tosca, Act 2


• Ji Yeon Lee


• Yamada Kosaku's Inno Meiji: A Portrait of Modern Optimism


• Liam Hynes-Tawa


• A Rhetorical Strategy to Subvert Artistic Suppression: A March That Is Not a 'March' in R. Nathaniel Dett's The Ordering of Moses (1937)


• Jeannie Ma. Guerrero


• Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai's Oblivion


• Joseph Chi-Sing Siu


• Reminiscences of the Past and Hybrid Traditions in Yoshinao Nakada's Art Songs


• Tomoko Deguchi


• Malambo and Motive in The Second Movement of Ginastera's Sonata para piano


• David Castro


• 'That Word in My Bible': Listening Critically to the Louvin Brothers' 'Broad Minded'


• Sumanth Gopinath


• Writing with Cathy Berberian's Performance of Sequenza III


• Vivian Luong


• The Restorative Obsession of Shostakovich's Violin Concerto No. 2


• T?hirih Motazedian


• Curious Words and Exaggerated Singing-Humor and Satire in Musicals


• Wing Lau


• Jesus Woodlaaj? Sin: Translating Singable Navajo Hymns


• Renata Yazzie


• Motivic development and transformation in Toru Takemitsu's Itinerant (1989)


• Robert Hasegawa


• Loco Vocable: Semantic Satiation in Aria Agraria by Les Luthiers


• Fernando Benadon


• Sonic Imagery of Chen Yi's Bright Moonlight


• Nancy Yunhwa Rao


• The Duality of Drums: Exploring Timpani's Melodic and Percussive Potential in Rodis's Colossus


• Jose M. Garza, Jr.


• The Musical Language of Freedom and Oppression in Richard Danielpour and Toni Morrison's Margaret Garner


• Andrew Pau


• Celebrating the Underdog: Rhythm and Meter in Pink's Raise Your Glass


• John Peterson


• Storytelling and Meter in clipping.'s story 2


• Hanisha Kulothparan


• The Spiritual Pastoral in The Kansas Rapture for Saxophone Quartet by (Farhad) Forrest Pierce


• Kimberly Goddard Loeffert


• Melodic Refusal and Racialized Anxiety in Mitski's Your Best American Girl


• Toru Momii


• Harmonizing Uncertainty: Ambiguous Tonicizations in The Music of Summer Walker


• Richard Desinord


• Texture and Timing in the Score-Stop


• Gerardo Lopez

...

Biographie:

• Tala as Phrase Meter


• Somangshu Mukherji


• Prolongation in Turkish Classical Music


• Adem Merter Birson


• The Role of A-flat in Beethoven's Funeral March from the Eroica Symphony


• Jan Miyake


• Locating the Sonata in Fanny Hensel's Sonata o Fantasia


• Catrina Kim


• A Blueprint for Dancers: the Fiery and Unforgettable Measures of Rosendo Mendiz??bal's El Entrerriano


• John Turci-Escobar


• Comparing the Choreomusical Styles of Marius Petipa and George Balanchine in the Berceuse of Harlequinade


• Kara Yoo Leaman


• Analyzing Verismo Opera: Vissi d'arte (I lived on art) from Puccini's Tosca, Act 2


• Ji Yeon Lee


• Yamada Kosaku's Inno Meiji: A Portrait of Modern Optimism


• Liam Hynes-Tawa


• A Rhetorical Strategy to Subvert Artistic Suppression: A March That Is Not a 'March' in R. Nathaniel Dett's The Ordering of Moses (1937)


• Jeannie Ma. Guerrero


• Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai's Oblivion


• Joseph Chi-Sing Siu


• Reminiscences of the Past and Hybrid Traditions in Yoshinao Nakada's Art Songs


• Tomoko Deguchi


• Malambo and Motive in The Second Movement of Ginastera's Sonata para piano


• David Castro


• 'That Word in My Bible': Listening Critically to the Louvin Brothers' 'Broad Minded'


• Sumanth Gopinath


• Writing with Cathy Berberian's Performance of Sequenza III


• Vivian Luong


• The Restorative Obsession of Shostakovich's Violin Concerto No. 2


• T??hirih Motazedian


• Curious Words and Exaggerated Singing-Humor and Satire in Musicals


• Wing Lau


• Jesus Woodlaaj?? Sin: Translating Singable Navajo Hymns


• Renata Yazzie


• Motivic development and transformation in Toru Takemitsu's Itinerant (1989)


• Robert Hasegawa


• Loco Vocable: Semantic Satiation in Aria Agraria by Les Luthiers


• Fernando Benadon


• Sonic Imagery of Chen Yi's Bright Moonlight


• Nancy Yunhwa Rao


• The Duality of Drums: Exploring Timpani's Melodic and Percussive Potential in Rodis's Colossus


• Jose M. Garza, Jr.


• The Musical Language of Freedom and Oppression in Richard Danielpour and Toni Morrison's Margaret Garner


• Andrew Pau


• Celebrating the Underdog: Rhythm and Meter in Pink's Raise Your Glass


• John Peterson


• Storytelling and Meter in clipping.'s story 2


• Hanisha Kulothparan


• The Spiritual Pastoral in The Kansas Rapture for Saxophone Quartet by (Farhad) Forrest Pierce


• Kimberly Goddard Loeffert


• Melodic Refusal and Racialized Anxiety in Mitski's Your Best American Girl


• Toru Momii


• Harmonizing Uncertainty: Ambiguous Tonicizations in The Music of Summer Walker


• Richard Desinord


• Texture and Timing in the Score-Stop


• Gerardo Lopez

Sommaire:

• Tala as Phrase Meter


• Somangshu Mukherji


• Prolongation in Turkish Classical Music


• Adem Merter Birson


• The Role of A-flat in Beethoven's Funeral March from the Eroica Symphony


• Jan Miyake


• Locating the Sonata in Fanny Hensel's Sonata o Fantasia


• Catrina Kim


• A Blueprint for Dancers: the Fiery and Unforgettable Measures of Rosendo Mendiz?bal's El Entrerriano


• John Turci-Escobar


• Comparing the Choreomusical Styles of Marius Petipa and George Balanchine in the Berceuse of Harlequinade


• Kara Yoo Leaman


• Analyzing Verismo Opera: Vissi d'arte (I lived on art) from Puccini's Tosca, Act 2


• Ji Yeon Lee


• Yamada Kosaku's Inno Meiji: A Portrait of Modern Optimism


• Liam Hynes-Tawa


• A Rhetorical Strategy to Subvert Artistic Suppression: A March That Is Not a 'March' in R. Nathaniel Dett's The Ordering of Moses (1937)


• Jeannie Ma. Guerrero


• Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai's Oblivion


• Joseph Chi-Sing Siu


• Reminiscences of the Past and Hybrid Traditions in Yoshinao Nakada's Art Songs


• Tomoko Deguchi


• Malambo and Motive in The Second Movement of Ginastera's Sonata para piano


• David Castro


• 'That Word in My Bible': Listening Critically to the Louvin Brothers' 'Broad Minded'


• Sumanth Gopinath


• Writing with Cathy Berberian's Performance of Sequenza III


• Vivian Luong


• The Restorative Obsession of Shostakovich's Violin Concerto No. 2


• T?hirih Motazedian


• Curious Words and Exaggerated Singing-Humor and Satire in Musicals


• Wing Lau


• Jesus Woodlaaj? Sin: Translating Singable Navajo Hymns


• Renata Yazzie


• Motivic development and transformation in Toru Takemitsu's Itinerant (1989)


• Robert Hasegawa


• Loco Vocable: Semantic Satiation in Aria Agraria by Les Luthiers


• Fernando Benadon


• Sonic Imagery of Chen Yi's Bright Moonlight


• Nancy Yunhwa Rao


• The Duality of Drums: Exploring Timpani's Melodic and Percussive Potential in Rodis's Colossus


• Jose M. Garza, Jr.


• The Musical Language of Freedom and Oppression in Richard Danielpour and Toni Morrison's Margaret Garner


• Andrew Pau


• Celebrating the Underdog: Rhythm and Meter in Pink's Raise Your Glass


• John Peterson


• Storytelling and Meter in clipping.'s story 2


• Hanisha Kulothparan


• The Spiritual Pastoral in The Kansas Rapture for Saxophone Quartet by (Farhad) Forrest Pierce


• Kimberly Goddard Loeffert


• Melodic Refusal and Racialized Anxiety in Mitski's Your Best American Girl


• Toru Momii


• Harmonizing Uncertainty: Ambiguous Tonicizations in The Music of Summer Walker


• Richard Desinord


• Texture and Timing in the Score-Stop


• Gerardo Lopez