Black Screens, White Frames - Shilina-Conte, Tanya

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Résumé :
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film....

Biographie:
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Sommaire:

• Acknowledgments




• Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen


• Chapter 1. Divergent Darkness: The Black Screen in Early Cinema


• Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema


• Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema


• Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema


• Chapter 5. Folds to Black or White in Minor Cinema and Art Practice


• Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema


• Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship


• Notes


• Index