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Présentation Mobilizing de Format Broché
- Livre Beaux arts
Résumé : This multifaceted reader explores the cultural heritage of the pre-colonial Kingdom of Benin, in the territory of what today is Nigeria. Objects from Benin are held also in Swiss museums and, as in other countries of the Global North, have become the subject of controversial debate. The richly illustrated volume offers new findings on the historical and current significance of artifacts. Moreover, it highlights the current dialogue with partners from Nigeria and the diaspora, reflecting on the methods of cooperative research and the future of the objects currently kept in Swiss collections. Biographies of individual items and examples of mediation and exhibition practice provide an insight into interwoven histories, the international art trade, and post-colonial reconciliation work between Africa and Europe. Mobilizing: Benin Heritage in Swiss Museums is published as part of the Benin Initiative Switzerland (2021-24), a project by eight Swiss museums focusing on provenance research on artifacts from colonial contexts. Texts and images invite reflection on art works and values, relationships, and views of history. The close collaboration with representatives from Nigeria and the diaspora enables new forms of knowledge production. This not only sets cultural heritage in motion, but also the museum as an institution itself.
Biographie: Esther Tisa Francini leitet die Bereiche Archiv und Provenienzforschung am Museum Rietberg in Z?rich und ist Co-Leiterin der Benin Initiative Schweiz. Alice Hertzog ist Sozialanthropologin und arbeitet als Provenienzforscherin am V?lkerkundemuseum der Universit?t Z?rich. Alexis Malefakis ist Kurator am V?lkerkundemuseum der Universit?t Z?rich und dort f?r die Sammlungen aus Afrika verantwortlich. Michaela Oberhofer ist Kuratorin f?r Kunst Afrikas und Ozeaniens am Museum Rietberg in Z?rich und Co-Leiterin der Benin Initiative Schweiz. ?
Sommaire: This multifaceted reader explores the cultural heritage of the pre-colonial Kingdom of Benin, in the territory of what today is Nigeria. Objects from Benin are held also in Swiss museums and, as in other countries of the Global North, have become the subject of controversial debate. The richly illustrated volume offers new findings on the historical and current significance of artifacts. Moreover, it highlights the current dialogue with partners from Nigeria and the diaspora, reflecting on the methods of cooperative research and the future of the objects currently kept in Swiss collections. Biographies of individual items and examples of mediation and exhibition practice provide an insight into interwoven histories, the international art trade, and post-colonial reconciliation work between Africa and Europe. Mobilizing: Benin Heritage in Swiss Museums is published as part of the Benin Initiative Switzerland (2021-24), a project by eight Swiss museums focusing on provenance research on artifacts from colonial contexts. Texts and images invite reflection on art works and values, relationships, and views of history. The close collaboration with representatives from Nigeria and the diaspora enables new forms of knowledge production. This not only sets cultural heritage in motion, but also the museum as an institution itself.
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