The Performance Studies Reader -

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Editeur : Routledge

Langue : Anglais

Parution : 01/01/2025

Format : Moyen, de 350g à 1kg

Nombre de pages : 486.0

Dimensions : 24.6 x 17.4 x 31.0

ISBN : 1032253967

Résumé :

Henry Bial is Professor and Chair of the Department of Theatre & Dance at the University of Kansas, USA. He is the author of Acting Jewish: Negotiating Ethnicity on the American Stage and Screen (2005) and Playing God: The Bible on the Broadway Stage (2015).

Sara Brady is Professor of Communication Arts and Sciences at Bronx Community College and Theatre and Performance at the Graduate Center of the City University of New York, USA, and Managing Editor of TDR. She is the author of Performance, Politics and the War on Terror (2012) and coeditor with Lindsey Mantoan of Performance in a Militarized Culture (2018).

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Biographie:

Introduction

Henry Bial and Sara Brady

Part 1: Reading Performance

1. Performances: Belief in the Part One is Playing

Erving Goffman

2. Blurred Genres: The Refiguration of Social Thought

Clifford Geertz

3. From Restoration of Behavior

Richard Schechner

4. From The Ontology of Performance

Peggy Phelan

5. Performance Studies: Interventions and Radical Research

Dwight Conquergood

6. From The Archive and the Repertoire

Diana Taylor

7. From Stages of Emergency

Tracy C. Davis

8. Professing Performance: Disciplinary Genealogies

Shannon Jackson

9. Social Performance Studies: Discipline vs. Freedom

Faye C. Fei and William H. Sun

10. Magic of Objects

Fred Moten

11. The Theorist and the Theorized: Indigenous Critiques of Performance Studies

Stephanie Nohelani Teves

Part 2: Play and Ritual

12. The Nature and Significance of Play as a Cultural Phenomenon

Johan Huizinga

13. Liminality and Communitas

Victor Turner

14. Performance and Other Analogies

Catherine Bell

15. Just Doing

Allan Kaprow

16. The Ambiguity of Play

Brian Sutton-Smith

17. From Jazz Performance as Ritual

Travis Jackson

18. Performative Commemoratives, the Personal, and the Public: Spontaneous Shrines, Emergent Ritual

Jack Santino

19. From Gamer Theory

Mckenzie Wark

20. Reenactment and Relative Pain

Rebecca Schneider

21. Burning the Bull: the Changing Meanings of a Harvest Ritual in the Anthropocene

Tamara Searle

22. Cliodynamics: An Evolutionary Approach to Rituals and Performance History

Bruce McConachie

Part 3: Performativity and the Social

23. How to do things with words: Lecture II

J.l. Austin

24. From Signature Event Context

Jacques Derrida

25. Performative Acts and Gender Constitution

Judith Butler

26. Destination Museum

Barbara Kirshenblatt-Gimblett

27. From Disidentifications

Jos? Esteban Mu?oz

28. Shattered Back wall: Performative Utterance of a Doll's House

Branislav Jakovljevi?

29. From Shame Before Others

Sara Ahmed

30. Utopian Performatives

Jill Dolan

31. Addenda, Phenomenology, Embodiment: Cyborgs and Disability Performance

Petra Kuppers

32. The Social Turn: Collaboration and its Discontents

Claire Bishop

33. Unburdening Representation

Tavia Nyong'o

34. God, the Pilot, and the Bugsplat: Performance and the Drone Effect

Sara Brady

Part 4: Repetition and Resistance

35. A Dialogue about Acting

Bertolt Brecht

36. The Actor's Technique

Jerzy Grotowski

37. The Oral Artist: Training and Preparation

Isidore Okpewho

38. Of Mimicry and Man

Homi K. Bhabha

39. From Rainbow of Desire

Augusto Boal

40. From Cities of the Dead

Joseph Roach

41. The Centrality of Practice

Saidiya V. Hartman

42. From The Emancipated Spectator

Jacques Ranci?re

43. Choreopolice and Choreopolitics: or, the Task of the Dancer

Andr? Lepecki

44. Reconstruction, Fugitive Intimacy, and Holding History

Soyica Diggs Colbert

45. Constructing Genealogies of ...

Sommaire:
Now in its fourth edition, The Performance Studies Reader continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field, offering a stimulating introduction to the crucial debates of performance studies....